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Boss VE-1 Vocal Echo

$159.99 $229.99

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VE-1 - Vocal Echo


PROFESSIONAL STUDIO-QUALITY VOCAL AMBIENCE AT YOUR FINGERTIPS!
Every vocalist can benefit from having professional-grade reverb and studio effects to sound their best on stage. This is what the BOSS VE-1 Vocal Echo is designed for—to make your voice sound even more incredible when you sing. It provides lush reverb and other essential vocal tools magically packaged in a compact and user-friendly unit, allowing you to easily create a great ambient vocal sound every time you perform. What’s really cool about the VE-1 is that you don’t have to be a pro sound engineer to make your voice sound sweet. Everything is right at your fingertips to get great-sounding vocals anytime and anywhere. Whether you’re a newcomer to the world of audio effects processing or a highly trained PA engineer, the VE-1 provides high-quality processing for any singer to take their voice over the top with that extra luster and polish.

With the VE-1, there’s no need to worry about complicated parameter settings to achieve rich results. Simply dial up a sound from one of the seven available professionally designed presets, and then twist the knobs to easily and intuitively control the effect level and depth. And if you’re a more advanced user, additional detailed parameters are available to fine-tune sounds even further. Along with the top-quality reverbs, dedicated controls are right at your fingertips for applying Double, Pitch Correct, and Enhance features to your vocals to put the finishing touch to your sound. Pitch Correct helps you to stay in tune, and also allows you to obtain that characteristic “electronic voice” sound. With the convenient Memory feature, you can store and recall up to four favorite settings, including your current live setting. The built-in USB audio port enables you to record your polished vocal sound directly to a DAW or create a studio-quality sound for a YouTube performance. The VE-1 runs on batteries or AC power, and works great in any situation, from street performing to recording in your home studio to performing live at a café or club.

  • Seven types of ambience effects with adjustable settings for your voice
  • Double-tracking effect to instantly thicken your vocal sound
  • Enhance effect and Pitch Correct (including hard-tuned “electronic voice” sound)
  • Adjustable detailed parameters for advanced users
  • Battery or AC operation enables performing anywhere
  • Built-in Memory for switching between the best settings for each song
  • USB audio port provides versatile options for use with your computer

Control Your Vocal Sound Without the Need of a PA Engineer
Most vocalists don’t have the luxury of a pro sound engineer to dial in the perfect ambient vocal sound for every performance. The VE-1 is the perfect all-in-one solution to simply and easily get great sound without any outside help. Whether you’re a street performer or playing at a local café or club, you’ll always sound like a pro when you sing with the VE-1.

Seven Different Echo Types
The seven built-in presets don’t simply increase in depth or intensity as you step through them—they each contain multiple reverbs that are intricately adjusted for every setting. These variations provide the most suitable settings for each depth level, blending in beautifully while never overwhelming your direct vocal sound. BOSS engineers have used their decades of accumulated expertise in vocal reverb to design and meticulously craft these studio-level adjustments along with input from top recording engineers from around the world. This results in great ambient vocal effects that are easily obtained in any live situation, providing a big advantage for any singer!

Who is the VE-1 Designed For?
Studio-grade reverb is crucial for every vocalist. The VE-1 is designed for anyone who wants to sweeten their singing with beautiful ambience and sound like a pro. It greatly enhances any voice with spaciousness and sparkle, and it’s really easy to use, even if you’re a newcomer to the world of audio gear. The VE-1 is especially valuable for vocalists who perform with a minimal PA setup in a café, club, or any other live setting.

Built-in Memory to Switch between Different Vocal Sounds
As a vocalist, you‘re always the center of attention—you not only sing, but you speak to the audience as well. Sometimes you need to design a different vocal ambience from one song to another. With the VE-1’s built-in memory, you’re able to simply switch between the ambient vocal sounds you need for different song styles. Between songs, you can easily bypass the ambient sound while the Enhancer remains active, which is perfect for speaking to the audience. You can choose from four different settings, including your current live setup with the VE-1.

USB Audio Capability
Aside from the sweet ambient vocal sounds you can easily obtain with the VE-1, there’s also a built-in USB audio port to record to your computer. This is a particularly great feature for making professional-sounding YouTube videos that show off your incredible vocal ability.
But we didn’t stop there—with a microphone connected to the VE-1, you can record your vocals along with effects directly to your favorite music software. You can even mix in a song played back from your computer at the same time!


SPECIFICATIONS:
Nominal Input Level - MIC IN: -40 dBu (MicSens = Center)
Input Impedance - MIC IN: 4 k ohms
Nominal Output Level - XLR OUT: -40 dBu, PHONES/LINE OUT: -20 dBu
Output Impedance - XLR OUT: 600 ohms, PHONES/LINE OUT: 33 ohms
Effect Types - ECHO, DOUBLE, PITCH CORRECT, ENHANCE
Number of Echo Types - 7
Number of Memory - 3
Connectors - MIC IN jack: XLR type, balanced, phantom power (DC 46 V, 10 mA Max), XLR OUTjack: XLR type, PHONES/LINE OUT jack: Stereo miniature phone type, FOOT SW jack: 1/4-inch TRS phone type, USB COMPUTER port: USB type B, DC IN jack
Power Supply - Rechargeable Ni-MH battery (AA, HR6) x 4, Alkaline battery (AA, LR6) x 4, AC Adaptor (sold separately)
Current Draw - 200 mA Max. (9 V)
Expected battery life under continuous use - Rechargeable Ni-MH battery (*1): Approx. 12 hours (phantom power: OFF), Approx. 8 hours (phantom power: ON), Alkaline battery: Approx. 11 hours (phantom power: OFF), Approx. 7 hours (phantom power: ON), *1 When using batteries having a capacity of 2,450 mAh., * These figures will vary depending on the specifications of the batteries and the actual conditions of use.
Accessories - Owner's Manual, Leaflet "USING THE UNIT SAFELY”, Alkaline Battery (AA, LR6) x 4
Options (sold separately) - AC Adaptor (PSA series), Footswitch (FS-5U, FS-6, FS-7)

SIZE AND WEIGHT:
Width - 156 mm, 6-3/16 inches
Depth - 116 mm, 4-10/16 inches
Height - 64 mm, 2-9/16 inches
Weight - 600 g, 1 lbs. 6 oz,

* 0 dBu = 0.775 Vrms

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Boss VE-20 Vocal Performer

$299.99 $449.99

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VE-20 Vocal Performer


THE ESSENTIAL STOMPBOX FOR VOCALISTS
Who says stompboxes are just for guitarists? The new, easy-to-use VE-20 has been designed from the ground up for singers, featuring some of the finest vocal-effects technology on the market. With the click of a footswitch, you can instantly add lush vocal layers and harmonies to your singing, add realtime pitch-correction, and you can show your creative side with special effects such as Distortion, Radio, and Strobe. You can even create loops and layers in real time with the onboard Phrase Looper. Perform anywhere with the VE-20 since it runs on AC or battery power.

  • Specialized effects for vocalists, including Harmony, Double-Track, Dynamics, Reverb, Delay, and more
  • Create the total of 3-part harmonies and layers
  • Realtime pitch-correction tools
  • Special FX, including Distortion, Radio and Strobe
  • Phrase Looper with 38 seconds (mono) of recording time
  • Phantom power for condenser microphones
  • Runs on six AA-batteries or AC adaptor (PSA)
  • Easy operation, road-tough BOSS construction

Simple Quality
BOSS VE-20 takes your voice to a whole new level! VE-20 is packed with essential, high quality effects for vocalists such as Reverb, Delay, Dynamics, Chorus, and more. These effects has been difficult for vocalists to have control of, but now the VE-20 offers incredible easy user interface to totally control your vocal sound. Simply dial up your favorite setting and sing — no programming required. VE-20 is a practical vocal effects processor even for first timers. Of course, if you want to roll your sleeves up and create, the VE-20 has a variety of editing tools onboard.

Harmony Factory
Add lush harmonies to your lead vocals instantly as you sing. Select the harmony interval of your choice, or create multi-part stacks, such as upper third and lower fifth, and save them for instant recall. You can also thicken your vocals with Double Track. Best of all, the VE-20 is incredibly easy to use. There’s no need for programming, and you don’t need to input notes from a keyboard as you do with a Vocoder — simply sing and let the VE-20 do the rest!

Phrase Loop
Sing, record, loop, and overdub with the onboard Phrase Looper, inherited from BOSS’s popular RE-20XL Loop Station. You get 38 seconds of mono record time to loop and layer phrases, and you can do it all in real time onstage. From doo-wop to human-beatbox, this tool will wow audiences!

Special FX
In addition to its harmony and pitch-correction tools, the VE-20 offers a colorful and expressive collection of special effects, including Electric (made famous by artists such as Cher and Black-Eyed Peas), Robot, Strobe (rotary), Distortion, Chorus, and Reverb.

Road-Tough Design
With the same solid-metal construction as other BOSS stompboxes, the VE-20 is built to last. Its footprint is identical to BOSS Twin-Series pedals, ensuring that it will fit perfectly into existing multi-pedal BOSS pedalboards and travel cases.


Specifications:

  • Nominal Input Level - INPUT: -40 dBu (Mic Sens = 40)
  • Input Impedance - INPUT: 4 k ohms
  • Nominal Output Level - OUTPUT: -40 dBu, PHONES/LINE: -25 dBu
  • Output Impedance - OUTPUT: 600 ohms, PHONES/LINE: 66 ohms
  • Memory - Sound: 30 (Preset) + 50 (User)
  • Phrase Loop - Mono 38 sec.
  • Display - 16 characters, 2 lines (backlit LCD)
  • Connectors - INPUT jack: XLR type (balanced, phantom power +48 V), 1/4 inch TRS phone type (balanced), OUTPUT jacks (L/MONO, R): XLR type, PHONES/LINE jack: Stereo 1/4 inch phone type, DC IN jack
  • Power Supply - DC 9 V: Dry battery LR6/R6 (AA) type x 6, AC Adaptor (PSA series)
  • Current Draw - 190 mA (9 V max.), Expected battery life under continuous use: 2 hours (Carbon), 8 hours (Alkaline), * These figures will vary depending on the actual conditions of use.
  • Accessories - Owner’s Manual, Leaflet (USING THE UNIT SAFELY, IMPORTANT NOTES, and Information), Dry battery LR6 (AA) type (alkaline) x 6
  • Option - AC Adaptor (PSA series)

SIZE AND WEIGHT (INCLUDING BATTERIES)

  • Width - 173 mm, 6-13/16 inches
  • Depth - 158 mm, 6-1/4 inches
  • Height - 57 mm, 2-1/4 inches
  • Weight - 1.1 kg, 2 lbs. 7 oz.

*0 dBu = 0.775 Vrms

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DBX 131S Single 31-Band Graphic Equalizer

$159.99 $229.99

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DBX 131S


Exceptional sound and rugged reliability

When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx® EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 131s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.

The dbx 131s includes a single 31-band channel of 1/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 110 dB dynamic range to the quality componentry and meticulous attention to detail, the 131s offers exceptional sound and rugged reliability that guarantees you will always sound your best.

Sure to find a home in the studio, on tour and with installed sound venues, the dbx 131s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound.


Features:

  • Single 31-band, 1/3-octave Constant Q frequency bands
  • Switchable boost/cut ranges of ±6 or ±12dB
  • 12dB per octave, 3dB down @ 50Hz low-cut filter
  • Front panel bypass switch
  • ±12 dB input gain range
  • 4-segment LED ladders for monitoring output levels
  • XLR and TRS Inputs and Outputs
  • Frequency Response of <10hz to="">50kHz
  • Dynamic range of greater than 108dB


Specs:

  • Input Connectors 1/4" TRS, female XLR (pin 2 hot)
  • Input Type Electronically balanced/unbalanced, RF filtered
  • Input Impedance Balanced 40k ohm, unbalanced 20k ohm
  • Max Input >+21dBu balanced or unbalanced
  • CMRR >40dB, typically >55dB at 1kHz
  • Output Connectors 1/4" TRS, male XLR (pin 2 hot)
  • Output Type Impedance-balanced/unbalanced, RF filtered
  • Output Impedance Balanced 100 ohm, unbalanced 50 ohm
  • Max Output >+21dBu balanced/unbalanced into 2k ohm or greater; >+18dBm balanced/unbalanced (into 600 ohm)
  • Bandwidth 20Hz to 20kHz, +0.5/-1dB
  • Frequency Response <10hz to="">50kHz, +0.5/-3dB
  • Dynamic Range Typically >112dB
  • Signal to Noise Ratio Typically >95dB
  • THD+Noise <>
  • Interchannel Crosstalk <-90db, 20hz="" to="">
  • Bypass Switch Bypasses the graphic equalizer section in the signal path
  • Low cut Switch Activates the 50Hz 12dB/octave high-pass filter
  • Range Switch Selects either +/- 6dB or +/-12dB slider boost/cut range
  • Operating Voltage 100-240VAC 50/60Hz
  • Power Consumption 15W
  • Power Connector IEC receptacle
  • Unit Weight 4.8 lbs.(2.2 kg)
  • Shipping Weight 6.2 lbs.(2.8kg)
  • Dimensions 1.75" (4.4cm) H x 6"(15.24cm) D x 19" (48.26cm) W
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DBX 166XS Compressor / Limiter / Gate

$239.99 $339.99

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DBX 166XS


Bring a more professional sound to your mix

Adding a dbx® 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop® limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment.

dbx knows compressors...after all we invented them! The 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.


Features:

  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx® "Auto" mode


Specs:

  • Input Connectors 1/4" TRS, female XLR (pin 2 hot)
  • Input Impedance >50kΩ balanced, >25kΩ unbalanced
  • Max Input >+24dBu, Balanced or Unbalanced
  • Input Type Electronically balanced/unbalanced, RF filtered
  • Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
  • Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
  • Sidechain Max Input Level >+20dBu (tip/input); >+20dBu (ring/output)
  • Output Connectors 1/4" TRS, female XLR (pin 2 hot)
  • Output Impedance 120Ω balanced, >60Ω unbalanced
  • Max Output +21dBu balanced/unbalanced into 2kΩ or greater; >+18 dBm balanced/unbalanced (into 600Ω)
  • Frequency Response 20Hz - 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain
  • Noise <-90dbu, 22hz="" to="" 22khz,="" no="" weighting,="" unity="">
  • THD+Noise Typically <0.04%; any="" amount="" of="" compression="" up="" to="">
  • IMD Typically <0.08% smpte="" @="" +10dbu="" (15db="" gain="">
  • Compressor Threshold Range -40dBu to +20dBu
  • Compressor Threshold Characteristic Selectable OverEasy® or hard knee
  • Compressor Ratio Variable; 1:1 to Infinity:1; 60dB Maximum Compression
  • Compressor Attack Time Variable program-dependent; 3ms to 340ms for 15dB gain reduction
  • Compressor Release Time Variable program-dependent; 200dB/Sec to 3dB/Sec
  • Expander/Gate Threshold Range OFF to +15dBu
  • Expander/Gate Ratio 10:1
  • Expander/Gate Max Depth >60dB
  • Expander/Gate Attack Time <500µs (from="" maximum="">
  • Expander/Gate Release Time Adjustable, 30ms to 3sec (to 30dB attenuation)
  • Limiter Threshold Range 0dBu to +20dBu
  • CMRR >40dB, typically >55dB at 1kHz
  • Interchannel Crosstalk <-80db, 20hz="" to="">
  • Dynamic Range >115 dB, unweighted
  • Stereo Coupling True RMS Power Summing™
  • Power Consumption 15 Watts Maximum
  • Operating Temperature 0°C to 45°C (32°F to 113°F)
  • Dimensions 1.75" x 19" x 6.75" (4.45 cm x 48.2 cm x 17.15 cm)
  • Unit Weight 5.05 lb (2.29 kg)
  • Shipping Weight 7.20 lb (3.27 kg)
  • Reference 0dBu = 0.775Vrms
  • Operating Voltage 100 VAC 50/60Hz; 120VAC 60Hz; 230 VAC 50/60 Hz
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DBX 231S Dual Channel 31-Band Equalizer

$199.99 $279.99

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DBX 231S


Exceptional sound and rugged reliability

When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx® EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 231s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.

The dbx 231s includes two 31-band channels of 1/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, the 231s offers exceptional sound and rugged reliability that guarantees you will always sound your best.

Sure to find a home in the studio, on tour and with installed sound venues, the dbx 231s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound.


Features:

  • Dual 31-band, 1/3-octave Constant Q frequency bands
  • Switchable boost/cut ranges of ±6 or ±12 dB
  • Front panel bypass switch
  • ±12 dB input gain range
  • 4-segment LED ladders for monitoring output levels
  • XLR and TRS Inpts and Outputs
  • Frequency Response of <10hz to="">50kHz
  • Dynamic range of greater than 108dB


Specs:

  • Input Connectors 1/4" TRS, female XLR (pin 2 hot)
  • Input Type Electronically balanced/unbalanced, RF filtered
  • Input Impedance Balanced 40k ohm, unbalanced 20k ohm
  • Max Input >+21dBu balanced or unbalanced
  • CMRR >40dB, typically >55dB at 1kHz
  • Output Connectors 1/4" TRS, male XLR (pin 2 hot)
  • Output Type Impedance-balanced/unbalanced, RF filtered
  • Output Impedance Balanced 100 ohm, unbalanced 50 ohm
  • Max Output >+21dBu balanced/unbalanced into 2k ohm or greater; >+18dBm balanced/unbalanced (into 600 ohm)
  • Bandwidth 20Hz to 20kHz, +0.5/-1dB
  • Frequency Response <10hz to="">50kHz, +0.5/-3dB
  • Dynamic Range Typically >112dB
  • Signal to Noise Ratio Typically >95dB
  • THD+Noise <>
  • Interchannel Crosstalk <-90db, 20hz="" to="">
  • Bypass Switch Bypasses the graphic equalizer section in the signal path
  • Low cut Switch Activates the 50Hz 12dB/octave high-pass filter
  • Range Switch Selects either +/- 6dB or +/-12dB slider boost/cut range
  • Operating Voltage 100-240VAC 50/60Hz
  • Power Consumption 15W
  • Power Connector IEC receptacle
  • Unit Weight 6.2 lbs.(2.81 kg)
  • Shipping Weight 7.9 lbs.(3.58kg)
  • Dimensions 3.5" (8.9cm) H x 6"(15.24cm) D x 19" (48.26cm) W
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DBX 266XS Compressor / Gate

$149.99 $209.99

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DBX 266XS


Bring a more professional sound to your mix

Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.

dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.


Features:

  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx® "Auto" mode


Specs:

  • Input Connectors 1/4" TRS and female XLR (pin 2 hot)
  • Input Type Electronically balanced/unbalanced, RF filtered
  • Input Impedance 40kΩ balanced/unbalanced
  • Max Input >+22dBu Balanced or Unbalanced
  • Output Connectors 1/4" TRS, female XLR (pin 2 hot)
  • Output Type Impedance-balanced/unbalanced, RF filtered
  • Output Impedance +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced
  • Max Output >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω)
  • Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
  • Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
  • Sidechain Max Input Level Tip = >+22dBu (Input)
  • Sidechain Max Output Level Ring = >+20dBu (Output)
  • Compressor Threshold Range -40dBu to +20dBu
  • Compressor Threshold Characteristic Selectable OverEasy® or hard knee
  • Compressor Ratio 1:1 to Infinity:1
  • Compressor Attack Time Scalable Program-Dependent AutoDynamic™
  • Compressor Release Time Scalable Program-Dependent AutoDynamic™
  • Expander/Gate Threshold Range -60dBu to +15dBu
  • Expander/Gate Ratio 1:1 to 4:1
  • Expander/Gate Attack Time <>
  • Expander/Gate Release Time Program-dependent
  • Bandwidth 0.35Hz - 90kHz, +0/-3dB
  • Frequency Response Flat: 20Hz-20kHz, +0, -0.5dB
  • Noise <-93dbu unweighted="" (22khz="" measurement="">
  • THD+Noise Typically <0.2%; any="" amount="" of="" compression="">
  • IMD Typically <0.2%>
  • Dynamic Range >114 dB, unweighted
  • Interchannel Crosstalk <-95db, 20hz="" to="">
  • CMRR >40dB, typically >55dB at 1kHz
  • Stereo Coupling True RMS Power Summing™
  • Power Consumption 15 Watts Maximum
  • Operating Voltage 100VAC 50/60Hz; 120VAC 60Hz; 230VAC 50/60Hz
  • Operating Temperature 0°C to 45°C (32°F to 113°F)
  • Dimensions 1.75" x 5.75" x 19" (4.45 cm x 14.6 cm x 48.26 cm )
  • Unit Weight 4.84 lbs (2.19 kg)
  • Shipping Weight 6.6 lbs (2.99 kg)
  • Reference 0dBu = 0.775Vrms
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Furman PL-8c - 15A Classic Series Power Conditioner w/Lights

$240.00 $279.99

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PL-8C


Furman PL-8C
The Classic Series from Furman brings together superior protection and outstanding performance in a sturdy, rack-mountable design.

The Classic Series features Furman’s revolutionary Series Multi-Stage Protection (SMP), Linear Filtering Technology (LiFT), and Extreme Voltage Shutdown (EVS). Together, these technologies comprise what is, without question, one of the world's most advanced and comprehensive transient voltage surge supressors.

Applications
INSTRUMENT RIGS
You've got a rack for your effects, preamps, tuner...You're going to plug that into the wall? One big spike and your rig is up in smoke. Furman's advanced Series Multi-Stage Protection defends your gear from the spikes and surges that are so common at gigs and practice spots. With Furman's advanced Linear Filtering Technology, you'll get a quieter tone without pops, crackles, and the local radio station coming out of your amp.

RECORDING
Can't track down where that noise is coming from? Your mix sounding flat? With Furman's advanced Linear Filtering Technology you'll lower the noise floor caused by the dirty AC power coming into your console or DAW. Furman's advanced Series Multi-Stage Protection keeps your sensitive digital equipment from acting funny or burning up due to everyday spikes and surges. With a 15A capacity and eleven total outlets, it's enough to power your whole home studio.

DJ EQUIPMENT
Bars, clubs and other event venues have some of the worst power out there - from air compressors turning on and off to light shows pulling current loads up and down, the AC power can be a strain on the circuits in your rig. Furman's advanced Series Multi-Stage Protection and LiFT keeps the bad stuff out and the dual pull-out front panel lights let you discreetly see your board and gear without distracting from the show on the dance floor.

PRO AUDIO
When you're out there gigging, you'll never know what kind of power you're going to get. The wear and tear on mobile rigs eventually takes it's toll - that's why it's smart to plug into Furman's advanced Linear Filtering Technology. It keeps your equipment safe and sounding clean. Whether you're setting up a show at the local club or powering up the church band for their next service, make sure you give them power they can trust.


Furman PL-8C Features at a Glance

  • Surge Protection - Furman's exclusive SMP technology provides the highest level of surge & spike protection available.
  • Noise Filtration - LiFT offers AC power filtering to ensure clean power for unequaled audio & video clarity.
  • Voltage Protection - Advanced EVS circuitry detects dangerous voltage irregularities and safely powers down itself and connected equipment in unsafe conditions.
  • Pull-out Lights - Dual smooth track retractable LED lights illuminate equipment in your rack.
  • Diagnostic Lights - LED status indicators warn you when voltage is outside of nominal range or when protection has been compromised.
  • Isolated Banks - Isolated outlet banks minimize inter-component interference and noise contamination.
  • Wall Wart Spacing - Three widely spaced outlets accommodate bulky AC power transformers.
  • 15 AMP Rating - 15 Amp rating featuring a high inrush magnetic circuit breaker for added protection.
  • Nine Total Outlets - Nine total outlets (8 rear panel outlets and one front panel convenience outlet).
  • BNC Lamp Connector - Rear panel BNC connector powers any standard gooseneck lamp for rear rack illumination.


Furman PL-8C Specifications:

  • Family - Classic Series
  • Line Voltage - 120 (Volts)
  • BlueBOLT Enabled - No
  • Power Factor Technology - No
  • Number of Outlets - 9
  • Number of Isolated Banks - 2
  • Outlet Descriptions - All 9 outlets linearly filtered and surge protected
  • Rack Mountable - Yes
  • Rack Ears Included - Yes
  • Front Panel Meter(s) - No
  • Front Media Light(s) - 2 multi-LED, dimmable lamps
  • Control - Front panel: On/Off switch, Light dimmer knob
  • Voltage Regulation - No
  • Compliancec - TUVus
  • USB Charging - N/A
  • Low Voltage Trigger - N/A
  • AC Power Cord - 10 ft, captive 3/14 AWG, with NEMA 15 plug
  • Dimensions - 19" W x 10.5" D x 1.75" H
  • Weight - 12 lbs
  • AC Protection Technology - Extreme Voltage Shutdown, Series Multi-Stage Protection, Non-sacrificial protection with zero ground contamination
  • Automatic Voltage Shutoff - Yes
  • Under-Voltage Shutoff - 90V
  • Over-Voltage Shutoff - 140 VAC
  • Maximum Current Rating - 15 (Amps)
  • Initial Clamping Level - 188 VAC peak @ 3,000 Amps
  • Filtration Technology - LiFT
  • Filtration Rating - 10 dB @ 10 kHz, 40 dB @ 100 kHz, 50 dB @ 500 kHz
  • Signal Line Protection - No
  • Length - 21.7 (Inches)
  • Width - 15 (Inches)
  • Height - 4.3 (Inches)
  • Weight - 11.8 (Lbs)
  • UPC - 654061027966
  • Master Pack Qty - 2
  • Response Time - 1 nanosecond
  • Peak Impulse Current - 6,500 amps
  • Rear BNC Connector - Rear rack lamp (Lamp not included), 12VAC 500MA max
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TC Electronic M-One XL Dual Effects Signal Processor

$449.99 $559.99

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M-One XL

Overview:

  • M•One XL is a dual effects unit, perfectly designed for LIVE applications. The reverbs truly shine, but it also features lots of other pristine effects such as Compressor, Chorus, Delay, Gate, etc.
  • TC Electronic XL Technology - Based on Our Renowned Reverb Heritage
  • High-quality Multi Effects - Reverb, Delay, Chorus, Flanger, Compressor, Gate, etc.
  • Flexibility - Perfect for LIVE applications as well as in the STUDIO


XL Reverb Technology

  • Do the measures - it's time to size up! The essence of M-One XL, the XL Technology, is based on our heritage and continual research and development of Reverb technology. XL Reverbs give you new and improved spatial perspectives, across the entire range of Reverb algorithms.
  • The extended range of the 'reverb size' enables extremely wide or narrow spatial imaging, independently of the decay time. By applying 'Reverb size' to both Early Reflections and the Diffused Field, M-One XL achieves any combination from wide spaces with short decay times to narrow rooms with long decays. 
  • The XL Technology also stands out by applying sophisticated modulation patterns, simulating the modulation of a real room and allowing ranges of modulation from the barely audible real-room modulation to heavy chorusing and detuning reverbs, also simulating the vintage style of reverbs.
  • In short, you will get a natural and clear result that no other processor in this price range is able to provide.


Small Room Simulation

  • Simulations of Small Rooms have been a major focus in the tuning of the XL Reverbs. The Early Reflection patterns combined with the new set of Diffused Fields, allows for realistic simulations of real rooms.
  • If you apply it to source material, the room simulations will bring clarity and presence to the source. With the flexibility of the XL Technology, your can tweak the reverbs from virtually transparent Ambience patterns over large Hall Reverbs to low-resolution Plates or Spring reverbs with ease.


Reverb Types

  • M-One XL offers you all the great types of reverb you need for live performances or in the studio. Depending on the application, you can go for Live, Hall, Room or Plate.


Hall

  • These 'classic' reverbs simulate the reverberation of very large rooms with high ceilings. They have unobtrusive reflections with a density and naturalness you have only been dreaming of - until now. The Hall reverbs are particularly great-sounding for vocals, acoustic guitar and piano.


Live

  • The Live algorithms are the grainy type of reverbs known as the typical 1980s live reverbs. Use these reverbs whenever you need the extra edge to really 'cut through' any PA system.


Room

  • Our famous Room reverbs generate a vast array of room settings with different sizes and surfaces. The Room reverbs will make your music come alive by adding ultimate realism and texture to your mix.

Plate

  • The most basic-sounding reverbs in the M-One XL are the 'non-digital', mechanical-sounding ones, which eleminates the need for metal plates: Create the artificial reflections typically found on 'old mechanical' reverbs! Plates 1 & 2 are particularly good for drums and vocal tracks.


Presets

  • M-One XL comes with 200 high-grade Factory Presets, covering any application imaginable. On top of that, M-One XL stores up to 100 of your favorite presets in the User Bank. When you are satisfied with your preset, just hit the STORE key to save. It is so simple, that you almost forget you are actually making presets!


How to...

  • M-One XL will handle all of your reverb needs with ease, and the range of applications is comprehensive, but we have gathered a few tips for three common situations below.


Lead Vocals

  • Dominating vocals are often supported by a well-tuned Hall and maybe even some delays. However, combining these two effects in the perfect mix can be a bit of a challenge.
  • The fact that Delay repeats continue to repeat the original dry source, even after the Reverb has decayed, makes the delay stand out as a separate effect.
  • Using the M-One XL 'Parallel/Serial' routing allows you to use both Delay, with the accurate tap control, and high-density Reverbs with independent inputs and simultaneously feed the Delay repeats into the Reverb, allowing a greater integration of the two effects.


Ambient Vocals

  • Getting the lead vocal to sound both crisp and present in a live mix is not always as easy as it sounds.
  • If you merely turn up the volume, keeping a neutral frequency response will make the vocal 'float' on top of the music, which is not very flattering to the vocals.
  • Instead, try to use the 'Ambience' Reverb of the M-One XL. The high-density Early Reflections and short decays will add sufficient brightness and shine to the vocal without compromising the frequency response.


Drums

  • Making a drum kit in general, or a snare drum in particular, stand out using reverbs has been common in Pop/Rock for many years. In the studio, where listening conditions are perfect, you have a number of choices. Achieving the same effect in a Live situation is quite a different story.
  • High-density reverbs tend to disappear in a PA system, so try to use the 'Live' reverb of M-One XL. It will give you exactly the level of graininess necessary to achieve this particular effect.
  • The 'Live' Reverb works extremely well for short and snappy snare reverbs, as well as big ballad 3.0 second Tom reverbs.
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