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DBX 131S Single 31-Band Graphic Equalizer

$229.99

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DBX 131S


Exceptional sound and rugged reliability

When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx® EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 131s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.

The dbx 131s includes a single 31-band channel of 1/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 110 dB dynamic range to the quality componentry and meticulous attention to detail, the 131s offers exceptional sound and rugged reliability that guarantees you will always sound your best.

Sure to find a home in the studio, on tour and with installed sound venues, the dbx 131s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound.


Features:

  • Single 31-band, 1/3-octave Constant Q frequency bands
  • Switchable boost/cut ranges of ±6 or ±12dB
  • 12dB per octave, 3dB down @ 50Hz low-cut filter
  • Front panel bypass switch
  • ±12 dB input gain range
  • 4-segment LED ladders for monitoring output levels
  • XLR and TRS Inputs and Outputs
  • Frequency Response of <10hz to="">50kHz
  • Dynamic range of greater than 108dB


Specs:

  • Input Connectors 1/4" TRS, female XLR (pin 2 hot)
  • Input Type Electronically balanced/unbalanced, RF filtered
  • Input Impedance Balanced 40k ohm, unbalanced 20k ohm
  • Max Input >+21dBu balanced or unbalanced
  • CMRR >40dB, typically >55dB at 1kHz
  • Output Connectors 1/4" TRS, male XLR (pin 2 hot)
  • Output Type Impedance-balanced/unbalanced, RF filtered
  • Output Impedance Balanced 100 ohm, unbalanced 50 ohm
  • Max Output >+21dBu balanced/unbalanced into 2k ohm or greater; >+18dBm balanced/unbalanced (into 600 ohm)
  • Bandwidth 20Hz to 20kHz, +0.5/-1dB
  • Frequency Response <10hz to="">50kHz, +0.5/-3dB
  • Dynamic Range Typically >112dB
  • Signal to Noise Ratio Typically >95dB
  • THD+Noise <>
  • Interchannel Crosstalk <-90db, 20hz="" to="">
  • Bypass Switch Bypasses the graphic equalizer section in the signal path
  • Low cut Switch Activates the 50Hz 12dB/octave high-pass filter
  • Range Switch Selects either +/- 6dB or +/-12dB slider boost/cut range
  • Operating Voltage 100-240VAC 50/60Hz
  • Power Consumption 15W
  • Power Connector IEC receptacle
  • Unit Weight 4.8 lbs.(2.2 kg)
  • Shipping Weight 6.2 lbs.(2.8kg)
  • Dimensions 1.75" (4.4cm) H x 6"(15.24cm) D x 19" (48.26cm) W
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DBX 166XS Compressor / Limiter / Gate

$339.99

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DBX 166XS


Bring a more professional sound to your mix

Adding a dbx® 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop® limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment.

dbx knows compressors...after all we invented them! The 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.


Features:

  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx® "Auto" mode


Specs:

  • Input Connectors 1/4" TRS, female XLR (pin 2 hot)
  • Input Impedance >50kΩ balanced, >25kΩ unbalanced
  • Max Input >+24dBu, Balanced or Unbalanced
  • Input Type Electronically balanced/unbalanced, RF filtered
  • Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
  • Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
  • Sidechain Max Input Level >+20dBu (tip/input); >+20dBu (ring/output)
  • Output Connectors 1/4" TRS, female XLR (pin 2 hot)
  • Output Impedance 120Ω balanced, >60Ω unbalanced
  • Max Output +21dBu balanced/unbalanced into 2kΩ or greater; >+18 dBm balanced/unbalanced (into 600Ω)
  • Frequency Response 20Hz - 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain
  • Noise <-90dbu, 22hz="" to="" 22khz,="" no="" weighting,="" unity="">
  • THD+Noise Typically <0.04%; any="" amount="" of="" compression="" up="" to="">
  • IMD Typically <0.08% smpte="" @="" +10dbu="" (15db="" gain="">
  • Compressor Threshold Range -40dBu to +20dBu
  • Compressor Threshold Characteristic Selectable OverEasy® or hard knee
  • Compressor Ratio Variable; 1:1 to Infinity:1; 60dB Maximum Compression
  • Compressor Attack Time Variable program-dependent; 3ms to 340ms for 15dB gain reduction
  • Compressor Release Time Variable program-dependent; 200dB/Sec to 3dB/Sec
  • Expander/Gate Threshold Range OFF to +15dBu
  • Expander/Gate Ratio 10:1
  • Expander/Gate Max Depth >60dB
  • Expander/Gate Attack Time <500µs (from="" maximum="">
  • Expander/Gate Release Time Adjustable, 30ms to 3sec (to 30dB attenuation)
  • Limiter Threshold Range 0dBu to +20dBu
  • CMRR >40dB, typically >55dB at 1kHz
  • Interchannel Crosstalk <-80db, 20hz="" to="">
  • Dynamic Range >115 dB, unweighted
  • Stereo Coupling True RMS Power Summing™
  • Power Consumption 15 Watts Maximum
  • Operating Temperature 0°C to 45°C (32°F to 113°F)
  • Dimensions 1.75" x 19" x 6.75" (4.45 cm x 48.2 cm x 17.15 cm)
  • Unit Weight 5.05 lb (2.29 kg)
  • Shipping Weight 7.20 lb (3.27 kg)
  • Reference 0dBu = 0.775Vrms
  • Operating Voltage 100 VAC 50/60Hz; 120VAC 60Hz; 230 VAC 50/60 Hz
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DBX 231S Dual Channel 31-Band Equalizer

$279.99

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DBX 231S


Exceptional sound and rugged reliability

When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx® EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 231s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.

The dbx 231s includes two 31-band channels of 1/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, the 231s offers exceptional sound and rugged reliability that guarantees you will always sound your best.

Sure to find a home in the studio, on tour and with installed sound venues, the dbx 231s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound.


Features:

  • Dual 31-band, 1/3-octave Constant Q frequency bands
  • Switchable boost/cut ranges of ±6 or ±12 dB
  • Front panel bypass switch
  • ±12 dB input gain range
  • 4-segment LED ladders for monitoring output levels
  • XLR and TRS Inpts and Outputs
  • Frequency Response of <10hz to="">50kHz
  • Dynamic range of greater than 108dB


Specs:

  • Input Connectors 1/4" TRS, female XLR (pin 2 hot)
  • Input Type Electronically balanced/unbalanced, RF filtered
  • Input Impedance Balanced 40k ohm, unbalanced 20k ohm
  • Max Input >+21dBu balanced or unbalanced
  • CMRR >40dB, typically >55dB at 1kHz
  • Output Connectors 1/4" TRS, male XLR (pin 2 hot)
  • Output Type Impedance-balanced/unbalanced, RF filtered
  • Output Impedance Balanced 100 ohm, unbalanced 50 ohm
  • Max Output >+21dBu balanced/unbalanced into 2k ohm or greater; >+18dBm balanced/unbalanced (into 600 ohm)
  • Bandwidth 20Hz to 20kHz, +0.5/-1dB
  • Frequency Response <10hz to="">50kHz, +0.5/-3dB
  • Dynamic Range Typically >112dB
  • Signal to Noise Ratio Typically >95dB
  • THD+Noise <>
  • Interchannel Crosstalk <-90db, 20hz="" to="">
  • Bypass Switch Bypasses the graphic equalizer section in the signal path
  • Low cut Switch Activates the 50Hz 12dB/octave high-pass filter
  • Range Switch Selects either +/- 6dB or +/-12dB slider boost/cut range
  • Operating Voltage 100-240VAC 50/60Hz
  • Power Consumption 15W
  • Power Connector IEC receptacle
  • Unit Weight 6.2 lbs.(2.81 kg)
  • Shipping Weight 7.9 lbs.(3.58kg)
  • Dimensions 3.5" (8.9cm) H x 6"(15.24cm) D x 19" (48.26cm) W
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DBX 266XS Compressor / Gate

$209.99

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DBX 266XS


Bring a more professional sound to your mix

Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.

dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.


Features:

  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx® "Auto" mode


Specs:

  • Input Connectors 1/4" TRS and female XLR (pin 2 hot)
  • Input Type Electronically balanced/unbalanced, RF filtered
  • Input Impedance 40kΩ balanced/unbalanced
  • Max Input >+22dBu Balanced or Unbalanced
  • Output Connectors 1/4" TRS, female XLR (pin 2 hot)
  • Output Type Impedance-balanced/unbalanced, RF filtered
  • Output Impedance +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced
  • Max Output >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω)
  • Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
  • Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
  • Sidechain Max Input Level Tip = >+22dBu (Input)
  • Sidechain Max Output Level Ring = >+20dBu (Output)
  • Compressor Threshold Range -40dBu to +20dBu
  • Compressor Threshold Characteristic Selectable OverEasy® or hard knee
  • Compressor Ratio 1:1 to Infinity:1
  • Compressor Attack Time Scalable Program-Dependent AutoDynamic™
  • Compressor Release Time Scalable Program-Dependent AutoDynamic™
  • Expander/Gate Threshold Range -60dBu to +15dBu
  • Expander/Gate Ratio 1:1 to 4:1
  • Expander/Gate Attack Time <>
  • Expander/Gate Release Time Program-dependent
  • Bandwidth 0.35Hz - 90kHz, +0/-3dB
  • Frequency Response Flat: 20Hz-20kHz, +0, -0.5dB
  • Noise <-93dbu unweighted="" (22khz="" measurement="">
  • THD+Noise Typically <0.2%; any="" amount="" of="" compression="">
  • IMD Typically <0.2%>
  • Dynamic Range >114 dB, unweighted
  • Interchannel Crosstalk <-95db, 20hz="" to="">
  • CMRR >40dB, typically >55dB at 1kHz
  • Stereo Coupling True RMS Power Summing™
  • Power Consumption 15 Watts Maximum
  • Operating Voltage 100VAC 50/60Hz; 120VAC 60Hz; 230VAC 50/60Hz
  • Operating Temperature 0°C to 45°C (32°F to 113°F)
  • Dimensions 1.75" x 5.75" x 19" (4.45 cm x 14.6 cm x 48.26 cm )
  • Unit Weight 4.84 lbs (2.19 kg)
  • Shipping Weight 6.6 lbs (2.99 kg)
  • Reference 0dBu = 0.775Vrms
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Furman PL-8c - 15A Classic Series Power Conditioner w/Lights

$279.99

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PL-8C


Furman PL-8C
The Classic Series from Furman brings together superior protection and outstanding performance in a sturdy, rack-mountable design.

The Classic Series features Furman’s revolutionary Series Multi-Stage Protection (SMP), Linear Filtering Technology (LiFT), and Extreme Voltage Shutdown (EVS). Together, these technologies comprise what is, without question, one of the world's most advanced and comprehensive transient voltage surge supressors.

Applications
INSTRUMENT RIGS
You've got a rack for your effects, preamps, tuner...You're going to plug that into the wall? One big spike and your rig is up in smoke. Furman's advanced Series Multi-Stage Protection defends your gear from the spikes and surges that are so common at gigs and practice spots. With Furman's advanced Linear Filtering Technology, you'll get a quieter tone without pops, crackles, and the local radio station coming out of your amp.

RECORDING
Can't track down where that noise is coming from? Your mix sounding flat? With Furman's advanced Linear Filtering Technology you'll lower the noise floor caused by the dirty AC power coming into your console or DAW. Furman's advanced Series Multi-Stage Protection keeps your sensitive digital equipment from acting funny or burning up due to everyday spikes and surges. With a 15A capacity and eleven total outlets, it's enough to power your whole home studio.

DJ EQUIPMENT
Bars, clubs and other event venues have some of the worst power out there - from air compressors turning on and off to light shows pulling current loads up and down, the AC power can be a strain on the circuits in your rig. Furman's advanced Series Multi-Stage Protection and LiFT keeps the bad stuff out and the dual pull-out front panel lights let you discreetly see your board and gear without distracting from the show on the dance floor.

PRO AUDIO
When you're out there gigging, you'll never know what kind of power you're going to get. The wear and tear on mobile rigs eventually takes it's toll - that's why it's smart to plug into Furman's advanced Linear Filtering Technology. It keeps your equipment safe and sounding clean. Whether you're setting up a show at the local club or powering up the church band for their next service, make sure you give them power they can trust.


Furman PL-8C Features at a Glance

  • Surge Protection - Furman's exclusive SMP technology provides the highest level of surge & spike protection available.
  • Noise Filtration - LiFT offers AC power filtering to ensure clean power for unequaled audio & video clarity.
  • Voltage Protection - Advanced EVS circuitry detects dangerous voltage irregularities and safely powers down itself and connected equipment in unsafe conditions.
  • Pull-out Lights - Dual smooth track retractable LED lights illuminate equipment in your rack.
  • Diagnostic Lights - LED status indicators warn you when voltage is outside of nominal range or when protection has been compromised.
  • Isolated Banks - Isolated outlet banks minimize inter-component interference and noise contamination.
  • Wall Wart Spacing - Three widely spaced outlets accommodate bulky AC power transformers.
  • 15 AMP Rating - 15 Amp rating featuring a high inrush magnetic circuit breaker for added protection.
  • Nine Total Outlets - Nine total outlets (8 rear panel outlets and one front panel convenience outlet).
  • BNC Lamp Connector - Rear panel BNC connector powers any standard gooseneck lamp for rear rack illumination.


Furman PL-8C Specifications:

  • Family - Classic Series
  • Line Voltage - 120 (Volts)
  • BlueBOLT Enabled - No
  • Power Factor Technology - No
  • Number of Outlets - 9
  • Number of Isolated Banks - 2
  • Outlet Descriptions - All 9 outlets linearly filtered and surge protected
  • Rack Mountable - Yes
  • Rack Ears Included - Yes
  • Front Panel Meter(s) - No
  • Front Media Light(s) - 2 multi-LED, dimmable lamps
  • Control - Front panel: On/Off switch, Light dimmer knob
  • Voltage Regulation - No
  • Compliancec - TUVus
  • USB Charging - N/A
  • Low Voltage Trigger - N/A
  • AC Power Cord - 10 ft, captive 3/14 AWG, with NEMA 15 plug
  • Dimensions - 19" W x 10.5" D x 1.75" H
  • Weight - 12 lbs
  • AC Protection Technology - Extreme Voltage Shutdown, Series Multi-Stage Protection, Non-sacrificial protection with zero ground contamination
  • Automatic Voltage Shutoff - Yes
  • Under-Voltage Shutoff - 90V
  • Over-Voltage Shutoff - 140 VAC
  • Maximum Current Rating - 15 (Amps)
  • Initial Clamping Level - 188 VAC peak @ 3,000 Amps
  • Filtration Technology - LiFT
  • Filtration Rating - 10 dB @ 10 kHz, 40 dB @ 100 kHz, 50 dB @ 500 kHz
  • Signal Line Protection - No
  • Length - 21.7 (Inches)
  • Width - 15 (Inches)
  • Height - 4.3 (Inches)
  • Weight - 11.8 (Lbs)
  • UPC - 654061027966
  • Master Pack Qty - 2
  • Response Time - 1 nanosecond
  • Peak Impulse Current - 6,500 amps
  • Rear BNC Connector - Rear rack lamp (Lamp not included), 12VAC 500MA max
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PreSonus 4-Channel Headphone Distribution System HP4

$139.99 $169.99

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HP4

Now Hear This!
Are you and your session players and bandmates tired of straining to hear underpowered headphones? We were too. That’s why Jim Odom and his jambalaya-fueled team of engineers designed 150 mW headphone amps for the HP4 headphone-distribution system.


These headphone amps are not just loud enough for session and stage use, they’re loud enough to explode the oysters in a Po’ Boy sandwich. Yet the sound is clear and clean, with a wide dynamic range. At last, everybody will be able to hear—assuming they are capable of hearing. Be careful with that level control!

Simplicity is the HP4’s hallmark. You get left and right line inputs, left and right line outputs with level control, and the four headphone outs. You can globally mute the headphone outs, adjust the overall headphone level, sum the stereo signals to mono, and mute the rear-panel Monitor outputs.

The HP4 can sit on a tabletop or can be screw-mounted to a standard rack tray (not included), where it requires just 1/3 rackspace. And if your needs grow, you can use the line outputs to feed the inputs of a second HP4 or an HP60. Chain as many headphone systems as you need.

So listen up! Quit struggling with mediocre headphone amps. Get the HP4 and hear everything loud and clear. You owe it to your music.

Features:

Input/Output

  • 4 screaming-loud (150 mW per channel) stereo ¼” headphone outputs (front panel)
  • 2 balanced ¼” line outputs (monitor outputs)
  • 2 balanced ¼” line inputs

Meters, Controls, and Features

  • Headphone level control for each channel
  • Mono summing switch for each channel
  • Monitor level control
  • Monitor mute switch
  • Daisy-chain multiple units via monitor outputs

Physical

  • Compact 1/3U rack-mount chassis
  • Sealed, detented, metal rotary controls
  • External 16 VAC power supply

Inputs

  • Connector Type ¼” TRS, balanced
  • THD+N 0.0025%, 1 kHz, unity gain 
  • Max Input Level +18 dBu, <0.5% thd+n,="" unity="">
  • Input Impedance 10 kΩ
  • Frequency Response 20 Hz - 20 kHz, ±0.5dB

Monitor Outputs

  • Connector Type ¼” TRS, asymmetrical, impedance-balanced
  • THD+N 0.0025%, 1 kHz, unity gain 
  • Max Output Level +18 dBu, <0.5%>
  • Output Impedance 51Ω
  • Frequency Response 20 Hz - 20 kHz, ±0.5dB

Headphone Outputs

  • Connector Type ¼” TRS, stereo
  • Max Output Power 130 mW/Ch., <0.5% thd+n,="" 60ω="">
  • Frequency Response 20 Hz - 20 kHz, ±0.5 dB, 60Ω load
  • Headphone Impedance Working Range 32Ω - 600Ω

Power

  • External Adapter Type +12 VDC, 1000 mA, center pin positive

Physical

  • Dimensions 1/3U rack-mount (with standard rack tray, not included)
  • Height 1.75” (44.45 mm)
  • Depth 5.5" (139.7 mm)
  • Width 5.5” (139.7 mm)
  • Weight 5 lbs (2.27 kg)
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