Your Shopping Cart

M-One XL

Overview:

• M•One XL is a dual effects unit, perfectly designed for LIVE applications. The reverbs truly shine, but it also features lots of other pristine effects such as Compressor, Chorus, Delay, Gate, etc.
• TC Electronic XL Technology - Based on Our Renowned Reverb Heritage
• High-quality Multi Effects - Reverb, Delay, Chorus, Flanger, Compressor, Gate, etc.
• Flexibility - Perfect for LIVE applications as well as in the STUDIO

XL Reverb Technology

• Do the measures - it's time to size up! The essence of M-One XL, the XL Technology, is based on our heritage and continual research and development of Reverb technology. XL Reverbs give you new and improved spatial perspectives, across the entire range of Reverb algorithms.

• The extended range of the 'reverb size' enables extremely wide or narrow spatial imaging, independently of the decay time. By applying 'Reverb size' to both Early Reflections and the Diffused Field, M-One XL achieves any combination from wide spaces with short decay times to narrow rooms with long decays. 

• The XL Technology also stands out by applying sophisticated modulation patterns, simulating the modulation of a real room and allowing ranges of modulation from the barely audible real-room modulation to heavy chorusing and detuning reverbs, also simulating the vintage style of reverbs.

• In short, you will get a natural and clear result that no other processor in this price range is able to provide.

Small Room Simulation

• Simulations of Small Rooms have been a major focus in the tuning of the XL Reverbs. The Early Reflection patterns combined with the new set of Diffused Fields, allows for realistic simulations of real rooms.

• If you apply it to source material, the room simulations will bring clarity and presence to the source. With the flexibility of the XL Technology, your can tweak the reverbs from virtually transparent Ambience patterns over large Hall Reverbs to low-resolution Plates or Spring reverbs with ease.

Reverb Types

• M-One XL offers you all the great types of reverb you need for live performances or in the studio. Depending on the application, you can go for Live, Hall, Room or Plate.

Hall

• These 'classic' reverbs simulate the reverberation of very large rooms with high ceilings. They have unobtrusive reflections with a density and naturalness you have only been dreaming of - until now. The Hall reverbs are particularly great-sounding for vocals, acoustic guitar and piano.

Live

• The Live algorithms are the grainy type of reverbs known as the typical 1980s live reverbs. Use these reverbs whenever you need the extra edge to really 'cut through' any PA system.

Room

• Our famous Room reverbs generate a vast array of room settings with different sizes and surfaces. The Room reverbs will make your music come alive by adding ultimate realism and texture to your mix.

Plate

• The most basic-sounding reverbs in the M-One XL are the 'non-digital', mechanical-sounding ones, which eleminates the need for metal plates: Create the artificial reflections typically found on 'old mechanical' reverbs! Plates 1 & 2 are particularly good for drums and vocal tracks.

Presets

• M-One XL comes with 200 high-grade Factory Presets, covering any application imaginable. On top of that, M-One XL stores up to 100 of your favorite presets in the User Bank. When you are satisfied with your preset, just hit the STORE key to save. It is so simple, that you almost forget you are actually making presets!

How to...

• M-One XL will handle all of your reverb needs with ease, and the range of applications is comprehensive, but we have gathered a few tips for three common situations below.

Lead Vocals

• Dominating vocals are often supported by a well-tuned Hall and maybe even some delays. However, combining these two effects in the perfect mix can be a bit of a challenge.

• The fact that Delay repeats continue to repeat the original dry source, even after the Reverb has decayed, makes the delay stand out as a separate effect.

• Using the M-One XL 'Parallel/Serial' routing allows you to use both Delay, with the accurate tap control, and high-density Reverbs with independent inputs and simultaneously feed the Delay repeats into the Reverb, allowing a greater integration of the two effects.

Ambient Vocals

• Getting the lead vocal to sound both crisp and present in a live mix is not always as easy as it sounds.

• If you merely turn up the volume, keeping a neutral frequency response will make the vocal 'float' on top of the music, which is not very flattering to the vocals.

• Instead, try to use the 'Ambience' Reverb of the M-One XL. The high-density Early Reflections and short decays will add sufficient brightness and shine to the vocal without compromising the frequency response.

Drums

• Making a drum kit in general, or a snare drum in particular, stand out using reverbs has been common in Pop/Rock for many years. In the studio, where listening conditions are perfect, you have a number of choices. Achieving the same effect in a Live situation is quite a different story.

• High-density reverbs tend to disappear in a PA system, so try to use the 'Live' reverb of M-One XL. It will give you exactly the level of graininess necessary to achieve this particular effect.

• The 'Live' Reverb works extremely well for short and snappy snare reverbs, as well as big ballad 3.0 second Tom reverbs.

MojoMojo Overdrive

Maximum Mojo
Designing MojoMojo Overdrive was both very simple and very complex. We knew what we wanted from the start: A pedal that sounds like an amp, with a very open character and little compression allowing even the most subtle of your playing to shine through. We basically set out to capture lightning in a bottle with a clarity that even allowed for complex chords to stand out - did we succeed? Well, plug it in, play one lick, look us in the eye and try to tell us we didn't!

• Increased circuit board voltage for extra headroom
• Precise tone controls
• Voicing switch

Joltin’ the Juice
One of the reasons why we've achieved such a dynamic pedal is the fact that we use a special circuit that ramps up the voltage to more than 3-4 times the amount of your typical drive pedals. However, we don't use this added gain to squeeze more overdrive/distortion out of the pedal, but to dramatically increase the headroom and dynamics.The result? The most alive overdrive you have ever heard and a pedal that defines all that is magic about overdriven sounds.

Directing Distortion
MojoMojo is a very musical pedal, but it needs direction. It'll be up to you to integrate it into your gear via the tone controls. Luckily, MojoMojo sounds great right off the bat and dialing in what you want, from added punch or body to added beef on your leads, is fun and easy.

Get Heard
In essence, an overdrive is something you get from a fully cranked tube amp working hard. Simple, but so dastardly hard to capture. MojoMojo actually succeeded doing this in the most natural and musical of ways and is in fact so 'fat sounding' we added a voicing switch for backing off the bass a bit when used with dark sounding guitars.

MojoMojo Overdrive's Resume

• True Bypass 
• Drive, Level, Bass and Treble controls
• Voicing switch
• Easy battery access
• Small footprint
• High-quality components
• Road-ready design

Corona Chorus

Next Generation Greatness

TC Electronic Corona Chorus
A modern take on our renowned SCF chorus pedal and including a sweet Tri-Chorus setting, Corona Chorus combines a blast from the past with superbly shimmering sounds and features.

• Two Chorus types
• Tone tweakers paradise
• Stereo ins- and out

Choose Your Chorus
Whether you go for the music-defining SCF setting or the ultra rich Tri-Chorus, you're always ensured expansive tonal options from glassy shimmers to mind-boggling swirls of sound. In fact, we'd buy two and have 'em both on at the same time to combine the SCF sounds with the rich Tri-Chorus tones.

Chorus, Don't Bore Us
Corona Chorus has a set of tonecontrols that allow you to craft a wide variety of chorus sounds -the Speed knob lets you dial in anything from slow 80's chorusing to fast leslie-like sounds, while the Depth knob sets how intense the sound is going to be. The Tone knob allows you dial in the chorus exactly how you like it- from dark and vintage to pristine TC shimmer to a sound that really punches through the mix. Fun guaranteed!

Chorus Coolness Completed
Chorus is such a nice sound, it deserves maximum width. With stereo in- and outs, you are sure to achieve a warble as wide as your imagination.

Corona Chorus' Resume

• TonePrint
• 3 chorus types - Speed, Depth, Color and Level controls - sculpt your chorus sounds from subtle to extreme
• Stereo in & out - for added flexibility to your set-up
• True Bypass 
• Analog-Dry-Through
• Easy battery access
• Small footprint 
• High quality components
• Road-ready design