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PreSonus StudioLive 24.4.2AI Digital Mixing System with Active Integration

$2999.99 $3999.99

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StudioLive 24.4.2AI

Compare StudioLive AI Mixer Models
The StudioLive 32.4.2AI is the top-of-the-line, and in most respects, it is very similar to the StudioLive 24.4.2AI and 16.4.2AI. The most obvious differences are that the 32.4.2AI has more channels and aux buses than the other two AI-series models. It’s also the only StudioLive mixer with Quick Scenes and Mute Groups available from the mixing surface. (The StudioLive 24.4.2AI and 16.4.2AI have these features in VSL-AI.)
Although the three StudioLive AI-series mixers are virtually identical in many respects, there are some other noteworthy differences, as shown in the table below.
Bottom line: If you don’t need 32 channels and 14 auxes, can live without Quick Scenes and Mute Groups on your mixing surface, and would like to have a smaller footprint (the 16.4.2AI is rack-mountable and comes with rack ears)—not to mention spend less money—the StudioLive 24.4.2AI and 16.4.2AI are great choices.


Specs:

  • Input Channels: 24
  • Aux Buses: 14 (10 with analog outs + 4 internal FX)
  • Mute Groups: 6 (via VSL-AI)
  • Quick Scenes: 6 (via VSL-AI)
  • Digital Sends/Returns: 40/26
  • Fat Channel EQ: 4-band parametric with individual band and global On/Off
  • Gate Parameters: On/Off, Threshold, Range, Attack, Release, Key Filter, Key Listen, Expander
  • Limiter Parameters: On/Off, Threshold
  • Graphic EQ: 12 (auxes, mains); front-panel GEQ switch
  • Rackmount: With optional adapter and oversize rack
  • Dimensions (LxWxH): 21.31” (54.13 cm) x 25.19” (63.98 cm) x 7.02” (17.82 cm)
  • Weight: 30 lbs. (13.6 kg)


Digital mixing: the next generation
With a powerful user interface, unrivaled sound quality, amazing DSP performance, direct Wi-Fi and LAN communication, fast and intuitive workflow, onboard FireWire s800 interface, and tightly integrated software suite for Mac®, Windows®, and iOS®, StudioLive™ AI-series digital mixers create a streamlined working environment for both live and studio use.


The Future is Active Integration™
StudioLive AI-series mixers start with all the strengths that made StudioLive mixers famous. Then they push the technology to the next level with Active Integration™ (AI), a complete, networked, tightly integrated hardware/software ecosystem in which every touch point in the system communicates to enhance the user experience and solve practical problems in ways not previously possible.

​Active Integration products combine powerful 32-bit floating-point DSP, wireless and wired networking, USB 2.0 connectivity, and proprietary software to solve real-world live-sound and studio problems. PreSonus leads the industry in hardware/software integration, and Active Integration takes this concept to a new level, offering high-end capabilities that have never been available before.
Current Active Integration products employ cutting-edge OMAP™ L138 processors — a whole computer on a chip. These 32-bit, 96 kHz multi-stream CPUs operate at 350 MHz and feature an operating system, 100 Mb Ethernet communications, USB 2.0 and 1.1, and lavish amounts of high-speed RAM.

In PreSonus StudioLive™ AI-series digital mixers, Active Integration technology includes powerful Wi-Fi remote control over a variety of features, using free Mac®, Windows®, and iPad® software. In addition, Active Integration enables standard Ethernet communications and optional Dante and AVB networking, making possible extremely flexible, powerful, networked systems.
Thanks to Active Integration, the StudioLive AI-series mixers have 64 times the processing power and an incredible 10,000 times more RAM than the previous top-of-the-line StudioLive 24.4.2. This makes possible an extended feature set, including twice as many internal effects buses, and the ability to create two complete sets of EQ and dynamics settings for a channel and then make quick A/B comparisons at the touch of a button—all built on the same 64-bit architecture that makes Studio One sound so good.

With Active Integration, new features and enhancements can be added in future firmware and software updates—and PreSonus has earned a reputation for regularly supplying such updates in its digital products.
But Active Integration doesn’t stop with hardware. The new StudioLive AI software suite has also been redesigned to take advantage of the new networking features.


All PreSonus mixers are a special order, please allow 5-7 days.

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PreSonus StudioLive 16.4.2AI Digital Mixing System with Active Integration

$1999.99 $2499.99

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StudioLive 16.4.2Al


Compare StudioLive AI Mixer Models

The StudioLive 32.4.2AI is the top-of-the-line, and in most respects, it is very similar to the StudioLive 24.4.2AI and 16.4.2AI. The most obvious differences are that the 32.4.2AI has more channels and aux buses than the other two AI-series models. It’s also the only StudioLive mixer with Quick Scenes and Mute Groups available from the mixing surface. (The StudioLive 24.4.2AI and 16.4.2AI have these features in VSL-AI.)
Although the three StudioLive AI-series mixers are virtually identical in many respects, there are some other noteworthy differences, as shown in the table below.
Bottom line: If you don’t need 32 channels and 14 auxes, can live without Quick Scenes and Mute Groups on your mixing surface, and would like to have a smaller footprint (the 16.4.2AI is rack-mountable and comes with rack ears)—not to mention spend less money—the StudioLive 24.4.2AI and 16.4.2AI are great choices.

Specs:

Input Channels: 16
Aux Buses: 10 (6 with analog outs + 4 internal FX)
Mute Groups: 6 (via VSL-AI)
Quick Scenes: 6 (via VSL-AI)
Digital Sends/Returns: 32/18

Fat Channel EQ: 4-band semi-parametric (mid bands: High/Low Q switch) with individual band and global On/Off(Fully parametric EQ is available through VSL-AI and SL Remote-AI.)

Gate Parameters: On/Off, Threshold, Release(Range, Attack, Key Filter, Key Listen, and Expander are available through VSL-AI and SL Remote-AI.)

Limiter Parameters: On/Off (Threshold is available through VSL-AI and SL Remote-AI.)

Graphic EQ: 8 (auxes, mains); front-panel GEQ switch
Rackmount: Yes (rack ears included)
Dimensions (LxWxH): 22.35” (56.8 cm) x 17.22” (43.74 cm) x 6.90” (17.53 cm)
Weight: 23 lbs. (10.43 kg)

Digital mixing: the next generation
With a powerful user interface, unrivaled sound quality, amazing DSP performance, direct Wi-Fi and LAN communication, fast and intuitive workflow, onboard FireWire s800 interface, and tightly integrated software suite for Mac®, Windows®, and iOS®, StudioLive™ AI-series digital mixers create a streamlined working environment for both live and studio use.

The Future is Active Integration™
StudioLive AI-series mixers start with all the strengths that made StudioLive mixers famous. Then they push the technology to the next level with Active Integration™ (AI), a complete, networked, tightly integrated hardware/software ecosystem in which every touch point in the system communicates to enhance the user experience and solve practical problems in ways not previously possible.
​Active Integration products combine powerful 32-bit floating-point DSP, wireless and wired networking, USB 2.0 connectivity, and proprietary software to solve real-world live-sound and studio problems. PreSonus leads the industry in hardware/software integration, and Active Integration takes this concept to a new level, offering high-end capabilities that have never been available before.
Current Active Integration products employ cutting-edge OMAP™ L138 processors — a whole computer on a chip. These 32-bit, 96 kHz multi-stream CPUs operate at 350 MHz and feature an operating system, 100 Mb Ethernet communications, USB 2.0 and 1.1, and lavish amounts of high-speed RAM.
In PreSonus StudioLive™ AI-series digital mixers, Active Integration technology includes powerful Wi-Fi remote control over a variety of features, using free Mac®, Windows®, and iPad® software. In addition, Active Integration enables standard Ethernet communications and optional Dante and AVB networking, making possible extremely flexible, powerful, networked systems.
Thanks to Active Integration, the StudioLive AI-series mixers have 64 times the processing power and an incredible 10,000 times more RAM than the previous top-of-the-line StudioLive 24.4.2. This makes possible an extended feature set, including twice as many internal effects buses, and the ability to create two complete sets of EQ and dynamics settings for a channel and then make quick A/B comparisons at the touch of a button—all built on the same 64-bit architecture that makes Studio One sound so good.
With Active Integration, new features and enhancements can be added in future firmware and software updates—and PreSonus has earned a reputation for regularly supplying such updates in its digital products.
But Active Integration doesn’t stop with hardware. The new StudioLive AI software suite has also been redesigned to take advantage of the new networking features.

 
 
All Presonus mixers are special order, please allow 5-7 days.
 
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PreSonus StudioLive 16.0.2 Digital Mixer

$999.99 $1599.99

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StudioLive 16.0.2


The Light Heavyweight: StudioLive 16.0.2
If your needs and budget are more modest, consider the StudioLive 16.0.2 rather than a StudioLive AI-series mixer. The 16.0.2 doesn’t have the power of Active Integration but it’s plenty powerful enough for many applications, and it’s inexpensive, compact, lightweight, and ultra-portable.

The StudioLive 16.0.2 also has a very cool feature that the larger StudioLive AI mixers don't offer: MIDI control over main output level, effects levels and routing, and Scene change. It has MIDI I/O on standard 5-pin DIN jacks—perfect for remote control from a MIDI footpedal or other controller—and it can serve as a standard MIDI interface for your computer. The StudioLive 16.0.2 also can send and receive MIDI over FireWire, so you can automate its MIDI features from a DAW.


Meet the StudioLive 16.0.2!
Our first-generation StudioLive™ 24.4.2 and 16.4.2 changed the game, offering amazing performance and ease of use for a great price. So we packed the same audio quality, performance, and seamlessly integrated software (including remote control) into a smaller, even more affordable package: the StudioLive 16.0.2. True, the little fellow doesn't have the Active Integration™ muscle of the mighty StudioLive AI-series mixers but it's far more powerful than its size might lead you to believe. Furthermore, it's amazingly lightweight and offers MIDI control—unique in the StudioLive line. It's easy to love this portable powerhouse.


Small size. Bigger possibilities.
In a “footprint” of less than 2 square feet (0.19 sq. meters), the compact, 16-channel StudioLive 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX™ Class A solid-state mic preamps. (It has a total of 13 Class A mic preamps, including the Talkback input.)

But don't let its size fool you; the 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters.


More than a mixer: an integrated system.
The StudioLive™ 16.0.2 integrates a 16x16 FireWire interface and comes with Capture™, Studio One Artist™ recording and production software, and Virtual StudioLive (VSL) bidirectional control software. VSL, in turn, incorporates Smaart Measurement Technology™, which makes it easy to analyze and fine-tune your main mix.

Moreover, you can control virtually the entire mixer from an iPad® using PreSonus StudioLive Remote, and you can control the aux (monitor) mixes from an iPhone® or iPod touch® using PreSonus QMix™. Both are free downloads from the Apple App Store.

Because of our powerful, integrated, free software, StudioLive digital mixers can do far more than their competition.


There are five parts to this unique system:

  1. Virtual StudioLive with Smaart for laptop control, editor/librarian functions, and sound-system analysis and correction
  2. StudioLive Remote for iPad remote control (available free from the Apple App Store)
  3. QMix™ for iPhone and iPod touch remote control (available free from the Apple App Store)
  4. Capture™ for two-click multi-track recording and playback
  5. Studio One Artist Digital Audio Workstation for enhancing your recordings (and for direct recording from StudioLive 16.0.2 or any compatible interface)


Virtual StudioLive: The magic of computer control.
Written exclusively for StudioLive mixers, Virtual StudioLive (VSL) provides a complete visual representation of the mixer, allowing you to control the features with a mouse, trackpad, or trackball on a FireWire-equipped Mac® or PC. Add third-party VPN software, and you can even control StudioLive mixers over the Internet—ideal for contractors. To get a competing mixer with computer control even close to this complete, you'd have to pay several times as much.
Learn more about Virtual StudioLive.

Even better: wireless control!
You’re mixing a live show with an old-skool mixer—make that any mixer other than StudioLive—and you need to check the sound underneath the balcony—or in the balcony, for that matter. Or you’re sound-checking and want to hear the stage monitors for yourself. If you can’t leave the mixing station, you have to rely on someone else’s ears. If you don’t have a reliable crew, you don’t have a chance.
You can say goodbye to that problem if you use a 16.0.2 and an Apple iPad! With StudioLive Remote for iPad—available free from the Apple App Store—you have complete, real-time, wireless remote control over Virtual StudioLive, which in turn offers real-time control over the StudioLive mixer. As long as you have a wireless connection between your iPad and computer (and are connected via FireWire to the 16.0.2), you are in control of the console.


Learn more about StudioLive Remote.
Yet even better: control of monitor mixes from iPhones and iPod touches!
We've given you a lot of sonic control with the StudioLive, Virtual StudioLive, and StudioLive Remote. It's only fair that we help you give the band control of their sound, too. With PreSonus' free QMix™, each band member can control their own StudioLive aux (monitor) mix from an iPhone® or iPod® touch. QMix lets you adjust a single aux mix per iPhone. Select inputs and levels for your custom monitor mix, and then use the Wheel of Me to get, well… “more me”… quickly during performances.

You can even set permissions to ensure that the bass player, always the practical joker, can't mess with the hot-tempered lead singer's monitor mix. Otherwise, that bass player is going to get in trouble someday. We're just sayin'….
Learn more about QMix.


Recording made easy with Capture™.
Check out our competition, and you’ll discover that their “recording” capabilities amount to stereo-only or just four channels — or require expensive add-ons.
With the StudioLive 16.0.2, if you have a laptop, you have a multitrack digital recorder instantly ready to capture your gig, church service, or presentation.
Just two mouse clicks engages Capture recording software. When you install it on your laptop, it automatically “maps” to the outputs of the 16.0.2 to automatically record all 16 input channels.

Studio One® Artist — A serious digital audio workstation.

  • Once you’re recorded studio tracks or a live multi-track performance, it’s time to finish it with effects and a good mix (not to mention editing out that huge burst of feedback during the third song).
  • Studio One is a groundbreaking music-creation and -production application for Mac OS X and Windows XP/Vista/7 that makes audio recording and MIDI sequencing ridiculously simple right out of the box.
  • Studio One changes the rules of the game with fresh code, innovative drag-and-drop features, advanced MIDI mapping, auto-configuration with your StudioLive 16.0.2, insanely good audio quality, unlimited tracks and plug-ins per track, and a powerful, inventive Start page. Studio One Artist also comes with a Native Effects™ 32-bit effects library, complete with dynamics processors, reverbs, modulation effects, amp simulators, and more. And with Studio One's free Nimbit® extension, you can immediately start selling your music.

130 quality signal processors at your fingertips.
The 16.0.2's Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects.


Not just effects. Effects you’d expect from a $600 standalone processor.
You get two programmable, 32-bit floating point, stereo DSP effects engines, loaded with 50 reverb, delay, and time-based effects presets that you can really use.


The reverbs are so rich and detailed that you feel like you’re there. Delays are precise. Slap echo sounds like old-skool tape effects. All 50 effects have easy-to-use parameter adjustment, tap tempo, and store and recall selection for the ultimate in creative flexibility.


The StudioLive 16.0.2 also sports a stereo 31-band graphic equalizer on the main outputs, so you can compensate for room acoustics and speaker response.
Whether StudioLive’s dozens of signal processors and 50 DSP effect presets were on gigundo channel strips, in a whopping rack of outboard gear, or neatly condensed into our Fat Channel, they have a lot of settings to remember and reset at every performance. That’s where the power of digital comes in: StudioLive never forgets.


Our first compact mixer with MIDI control from a footpedal.
Moreover, a glance at the rear panel reveals that "Junior" offers something the two bigger boards don't: MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control.

What was then is now: complete store and recall.
Two factors work against getting that Perfect Mix with an analog mixer. First, the Perfect Mix can be hard to reproduce a week, day, or hour after you perfect it. And second, a good mix should be dynamic: levels, effects, and EQ should be tailored to each song or segment of the show, service, or presentation.
StudioLive solves this problem by letting you save all of your digital settings for quick setup and recall.

Specs:

  • Input Channels: 16 total: 8 mono, 4 stereo
  • XMAX™ Preamps: On 12 channels
  • Aux sends: 4
  • Subgroups: 0
  • Faders: 60 mm for all channels, auxes, and mains
  • MIDI I/O and Control: Yes (via 5-pin DIN and FireWire)

All PreSonus mixers are special order, please allow 5-7 days.

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Presonus Blue Tube DP 2-Channel Mic/Instrument Tube Pre-Amp

$229.99 $279.99

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Blue Tube DP 2


End the Debate!
Solid-state clarity or tube warmth, which to choose? We suggest you stop wasting time pondering that old argument and choose the BlueTube DP dual-path mic/instrument preamp, which lets you apply fat, warm 12AX7 tube tone or go with solid-state transparency.

The solid-state path leads to our classic high-headroom, Class A XMAX™ mic preamplifier with 54 dB of gain. The tube path features a high-output, 12AX7 vacuum tube that operates on voltages double that of other preamplifiers in its class, producing lots of headroom and big tone. You get all the secondary features you expect in a professional-grade preamp: 48V phantom power, an 80 Hz high-pass filter, -20 dB pad to control hot input signals, and a polarity-reverse switch. Each channel has an illuminated VU meter so you can visually monitor your input levels.

A Tube Drive control provides a wide range of sounds: when it’s clicked off, you’re using the solid-state preamp for quiet, transparent amplification; when it’s engaged, your signals flow through the tube preamp, and you can achieve anything from gentle warmth to edgy distortion.


Versatile and Affordable
Thanks to its two combo mic/instrument inputs, the BlueTube DP is an excellent choice for guitars and basses, as well as for vocals. With balanced XLR and unbalanced ¼” main outputs, it serves as a dandy direct box (DI). If you’re a singer-songwriter who performs solo with a guitar, you can run your vocal through one channel and your guitar through the other, then feed both to the house system—no guitar amp needed. Try the BlueTube DP as a front end for your DAW, as well; sure, your recording interface might already include preamps, but few of them give you both tube and solid-state operation.

The BlueTube DP is packaged in a compact, rugged, 1/2U chassis so it can be used as a desktop unit or rack-mounted with the optional 2UHR rack adapter. To top it off, we offer the BlueTube DP at a very affordable price.
So if you’re debating between getting a tube preamp or a solid-state preamp, quit torturing yourself! Get the best of both worlds with the most versatile, best-sounding mic/instrument preamplifier in its price range: the BlueTube DP.


Features:
2 input channels, each with:

  • High-headroom Class A XMAX™ mic preamplifier
  • Dual path, 12AX7 vacuum tube and solid-state gain stages
  • Solid-state Gain control with 0 dB to +54 dB gain range
  • Tube Drive tube-saturation control
  • 48V phantom power
  • 80 Hz high-pass filter
  • -20 dB pad
  • Polarity-reverse switch
  • Illuminated analog VU input-level meter

Input/Output

  • 2 balanced combo mic/unbalanced instrument inputs
  • 2 balanced XLR main (L/R) line outputs
  • 2 unbalanced ¼” main (L/R) line outputs

Physical

  • Compact 1/2U rack-mount chassis
  • External 16 VAC power supply
  • Optional 2UHR rack adapter
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PreSonus AudioBox iTwo 2-in/2-out USB Audio Interface

$149.99 $179.99

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AudioBox iTwo

2-in/2-out USB Audio Interface with 2 x XLR/TRS Combo Inputs, Studio One Artist 2 DAW Software (Mac/PC), and Capture Duo App (iPad)

Portable, High Fidelity, and Multiplatform

Excellent choices for mobile musicians, sound designers, and podcasters, the USB 2.0 bus-powered AudioBox iOne and iTwo provide high-quality audio I/O for Mac®, PC, and Apple iPad®. These compact, ruggedly built interfaces offer high-performance Class A mic preamplifiers, record 24-bit audio at up to 96 kHz, and include powerful, easy-to-use Studio One® Artist DAW for Mac and Windows and Capture™ Duo recording software for iPad.

Tightly Integrated Software—As You Expect from PreSonus!

PreSonus is famous for its tightly integrated hardware/software solutions, and the AudioBox i series is no exception. Of course you get Studio One Artist. But we didn’t stop there!

Class A All the Way
PreSonus’ award-winning analog signal processors and microphone preamps have long been popular among top professionals and home enthusiasts alike. So when you see the name PreSonus, you expect top audio quality—and the AudioBox i series delivers.

Heavy Metal Never Weighed So Little!
AudioBox iOne and iTwo are mobile interfaces in the best sense of the term. They can sit on a tabletop or fit in the pocket of a backpack or laptop bag and are powered by the USB bus, so you don’t have to mess with a “wall wart” power supply or AC cord. And they’re built to withstand the rigors of travel.


Built to Travel
We designed AudioBox iOne and iTwo to excel as mobile interfaces, so we built them to take a serious pounding and remain completely reliable. They’re built like small tanks, with a metal chassis and knobs/jacks secured directly to the enclosure to reduce strain on the internal circuit board.
So toss the AudioBox iOne or iTwo in your backpack or laptop bag and take it along! Wherever your travels take you, your AudioBox i-series interface will be ready to perform.


The Finishing Touches
We could have stopped right there, but it’s not our way to stop when we can give you even more. So we included an internal analog mixer with zero-latency monitoring, enabling you to monitor recorded tracks and overdubs with no annoying delay time. The iOne lets you use a 50-50 mix of recorded tracks and live input; the iTwo lets you create your own mix.
We included a Kensington key lock to keep your AudioBox i-series interface safe when you travel. And the iTwo has MIDI In and Out so you can use your keyboards and controllers. (The iOne is strictly an audio interface.)
So if you’re looking for a simple, versatile recording interface with exceptional sound quality that works with a Mac, PC, and iPad, look no further than the AudioBox i series. Because sometimes a simple, well-made, well-designed solution is exactly what you need.

Two to Go, Please!
The AudioBox i series consists of two great 24-bit, 96 kHz mobile-recording solutions: the compact AudioBox iTwo and subcompact AudioBox iOne.

Features:


All features are available in both the AudioBox iOne and the AudioBox iTwo except where otherwise specified.


Core Technology

  • Bus-powered USB 2.0/iPad audio interface 
  • 24-bit resolution; 44.1, 48, 88.2, and 96 kHz sampling rate


AudioBox iOne Inputs and Outputs

  • 1 microphone input with low-noise, high-headroom, Class A mic preamplifier and +48V phantom power
  • 1 instrument input
  • 2 balanced ¼” TRS main line-level outputs
  • Stereo headphone output with independent level control


AudioBox iTwo Inputs and Outputs

  • 2 microphone inputs with low-noise, high-headroom, Class A mic preamplifiers and +48V phantom power
  • 2 switchable line/instrument inputs
  • 2 balanced ¼” TRS main line-level outputs
  • 1x1 MIDI In/Out
  • Stereo headphone output with independent level control


Controls

  • Zero-latency monitoring via internal analog mixer (iOne: fixed 50/50 mix via Direct button; iTwo: variable mix via Mix knob)
  • Large main volume knob
  • Signal present and clipping LEDs


Integrated Software

  • Studio One® Artist DAW software (Mac/Windows) and 6+ GB of third-party resources
  • Transfer files wirelessly from Capture for iPad to Studio One
  • Compatible with almost all recording software for Mac®, Windows®, and iPad®
  • Nimbit® Free account to distribute and sell your music


Construction and Security

  • Kensington lock hole
  • Metal chassis
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PreSonus 4-Channel Headphone Distribution System HP4

$129.99 $159.99

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HP4

Now Hear This!
Are you and your session players and bandmates tired of straining to hear underpowered headphones? We were too. That’s why Jim Odom and his jambalaya-fueled team of engineers designed 150 mW headphone amps for the HP4 headphone-distribution system.


These headphone amps are not just loud enough for session and stage use, they’re loud enough to explode the oysters in a Po’ Boy sandwich. Yet the sound is clear and clean, with a wide dynamic range. At last, everybody will be able to hear—assuming they are capable of hearing. Be careful with that level control!

Simplicity is the HP4’s hallmark. You get left and right line inputs, left and right line outputs with level control, and the four headphone outs. You can globally mute the headphone outs, adjust the overall headphone level, sum the stereo signals to mono, and mute the rear-panel Monitor outputs.

The HP4 can sit on a tabletop or can be screw-mounted to a standard rack tray (not included), where it requires just 1/3 rackspace. And if your needs grow, you can use the line outputs to feed the inputs of a second HP4 or an HP60. Chain as many headphone systems as you need.

So listen up! Quit struggling with mediocre headphone amps. Get the HP4 and hear everything loud and clear. You owe it to your music.

Features:

Input/Output

  • 4 screaming-loud (150 mW per channel) stereo ¼” headphone outputs (front panel)
  • 2 balanced ¼” line outputs (monitor outputs)
  • 2 balanced ¼” line inputs

Meters, Controls, and Features

  • Headphone level control for each channel
  • Mono summing switch for each channel
  • Monitor level control
  • Monitor mute switch
  • Daisy-chain multiple units via monitor outputs

Physical

  • Compact 1/3U rack-mount chassis
  • Sealed, detented, metal rotary controls
  • External 16 VAC power supply

Inputs

  • Connector Type ¼” TRS, balanced
  • THD+N 0.0025%, 1 kHz, unity gain 
  • Max Input Level +18 dBu, <0.5% thd+n,="" unity="">
  • Input Impedance 10 kΩ
  • Frequency Response 20 Hz - 20 kHz, ±0.5dB

Monitor Outputs

  • Connector Type ¼” TRS, asymmetrical, impedance-balanced
  • THD+N 0.0025%, 1 kHz, unity gain 
  • Max Output Level +18 dBu, <0.5%>
  • Output Impedance 51Ω
  • Frequency Response 20 Hz - 20 kHz, ±0.5dB

Headphone Outputs

  • Connector Type ¼” TRS, stereo
  • Max Output Power 130 mW/Ch., <0.5% thd+n,="" 60ω="">
  • Frequency Response 20 Hz - 20 kHz, ±0.5 dB, 60Ω load
  • Headphone Impedance Working Range 32Ω - 600Ω

Power

  • External Adapter Type +12 VDC, 1000 mA, center pin positive

Physical

  • Dimensions 1/3U rack-mount (with standard rack tray, not included)
  • Height 1.75” (44.45 mm)
  • Depth 5.5" (139.7 mm)
  • Width 5.5” (139.7 mm)
  • Weight 5 lbs (2.27 kg)
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PreSonus Eris 4.5 High Definition Active Studio Monitors (Pair)

$199.99 $249.99

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Eris 4.5 Active Studio Monitors (Pair)

Nothing But the Truth.
When you’re serious about creating music, you need monitor speakers that will reveal all of the flaws in your tracks and mixes. Eris professional studio monitors deliver the truth, thanks to very accurate response, tight bass, and clear upper end.

Features:

Components and construction
4.5-inch (E 4.5) / 5.25-inch (E5) / 8-inch (E8) Kevlar® low-frequency transducer
1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
Front-firing acoustic port for superior bass-frequency reproduction
Optimized, resonance-suppressing internal bracing
100 dB (E4.5) / 102 dB (E5) /105 dB (E8) maximum continuous SPL

​User controls
HF Driver Adjust (±6 dB, continuously variable)
Midrange Driver Adjust (±6 dB, continuously variable)
Acoustic Space settings (flat, -2, -4 dB) for accurate mixing contour
Highpass filter (Off, 80 Hz, 100 Hz)

Power and safety
50 (E4.5) / 70 (E5) /130 watt (E8), Class AB biamplification
RF interference, output current limiting, over-temperature, transient, and subsonic protection
Amplifier “soft start” feature eliminates popping on power-up
Internal power supply with IEC connector
Power switch with on/off LED

Inputs and outputs
Balanced XLR/¼-inch and unbalanced RCA inputs (E5/E8)
Balanced ¼-inch TRS and unbalanced 1/8-inch TS, RCA inputs (E4.5)
1/8-inch stereo headphone output (E4.5)

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PreSonus AudioBox iOne - The USB/iPad Recording Solution for Guitarists and Songwriters

$99.99 $129.99

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Audio Box iOne

Record Anything, Anywhere.The Singer/Songwriter’s Best Friend


AudioBox iOne: The USB/iPad Recording Solution for Guitarists and Songwriters.

The interface for guitarists and songwriters on the go.
Inspiration is everywhere for singer/songwriters, so bring your studio with you and record wherever you go. The PreSonus AudioBox® iOne lets you capture your voice and instrument on your Mac, Windows PC, and iPad. Simply plug in your guitar and microphone, and you’re ready to create! USB bus-powered and bundled with powerful, easy-to-use recording software, the AudioBox iOne makes it easy to capture ideas and create professional-quality recordings.


Mobile Recording Made Easy.
The AudioBox iOne and its software library make recording your compositions and tracks easy! Record in stereo on your iPad with free Capture™ Duo or record up to 32 tracks with affordable Capture for iPad. Then wirelessly beam your iPad tracks to our award-winning Studio One® recording and production software for Mac or Windows for editing and mixing. Or do the whole project on your laptop with Studio One. Either way, the AudioBox iOne and its software library provide all the tools needed to record on the road and in the studio.


Loud and Clear.
To record great-sounding music, you need outstanding preamps and digital converters. And to hear what you’re doing, you need a headphone amp that keeps up with the rest of the design. The AudioBox iOne delivers it all! We’re famous for our award-winning microphone preamplifiers, and we’ve equipped the AudioBox iOne with a new, sweet-sounding mic preamp that will capture your voice in all its glory. Clean, clear, 24-bit, 96 kHz digital converters and an ultra-loud, crystal-clear headphone output ensures you hear every detail.


Built to Travel.
AudioBox iOne is a mobile interface in the best sense of the term. It can sit on a tabletop or fit in the pocket of a backpack or laptop bag and works with standard iOS power accessories. Its metal chassis is built like a small tank—yet it weighs just 1.35 pounds (0.63 kg). Wherever your travels take you, whenever your creative muse calls, your AudioBox iOne interface will be ready to help you compose and record your masterpiece. Check it out at your favorite PreSonus® dealer - George’s Music Center.


Features:
Core Technology

  • Bus-powered USB 2.0/iPad audio interface
  • 24-bit resolution; 44.1, 48, 88.2, and 96 kHz sampling rate

Inputs and Outputs

  • 1 microphone input with low-noise, high-headroom, Class A mic preamplifier and +48V phantom power
  • 1 instrument input
  • 2 balanced ¼” TRS main line-level outputs
  • Stereo headphone output with independent level control

Controls

  • Zero-latency monitoring via internal analog mixer (fixed 50/50 mix via Direct button)
  • Large main volume knob
  • Signal present and clipping LEDs

Integrated Software

  • Studio One® Artist DAW software (Mac/Windows) and 6+ GB of third-party resources
  • Transfer files wirelessly from Capture for iPad to Studio One
  • Compatible with almost all recording software for Mac®, Windows®, and iPad®
  • Nimbit Free account to distribute and sell your music

Construction and Security

  • Kensington lock hole
  • Metal chassis


Computer system requirements:
Below are the minimum computer-system requirements for the AudioBox iOne and AudioBox iTwo:

Windows

  • Windows® 7 x64/x86 SP1, Windows 8/8.1 x64/x86 or Windows 10 x64/x86
  • Intel Core Duo processor (Intel Core i3 or better recommended)
  • 4 GB RAM (8 GB or more recommended)

Mac

  • Mac® OS X 10.8 or later
  • Intel® Core™ Duo processor (Intel Core i3 or better recommended)
  • 4 GB RAM (8 GB or more recommended)

​Windows and Mac Systems

  • USB 2.0 Port
  • Internet connection for registration and download of included software
  • Internal or external 7200 RPM storage drive highly recommended
  • Monitor with at least 1280x800 resolution
  • Apple iPad
  • iPad Air, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2
  • ​iOS 7.0.1 or higher

The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.

Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio or MIDI signals. Monitor resolution for both PC and Macintosh should be no lower than 1024x768 pixels.

Technical Specifications:

Mi​crophone Preamp

  • Type - XLR female, balanced
  • Frequency Response (±3.0 dB) - 10 Hz to 40 kHz
  • Input Impedance (Balanced) - 1,200Ω
  • THD+N (unwtd, 1 kHz @ +4 dBu Output, Unity Gain) - <>
  • S/N Ratio (Unity Gain, Ref. = +4 dBu, 20 Hz to 22 kHz) - > 95 dB
  • Common Mode Rejection Ratio (1 kHz, 52 dB Gain) - > 65 dB
  • Gain Control Range (± 1 dB) - 0 dB to 52 dB
  • Max Input Level (Unity Gain, 1 kHz @ 0.5% THD+N) - +10 dBu
  • Phantom Power (±2 VDC) - +48 VDC

Line Input

  • Type —
  • Input Impedance —

Instrument Input

  • Type - ¼” TS female, unbalanced
  • Input Impedance - 1 MΩ

Line Outputs

  • Type - ¼” TRS female, balanced
  • Output Impedance - 51Ω

Headphone Output

  • Type - ¼” TRS active stereo
  • Maximum Output - 60 mW/ch. @ 60Ω Load
  • Frequency Response (±1.0 dB) - 20 Hz - 30 kHz
  • Output Impedance - 10Ω

MIDI I/O

  • Type —

Digital Audio

  • ADC Dynamic Range (A-wtd, 48 kHz Sample Rate) - 105 dB
  • DAC Dynamic Range (A-wtd, 48 kHz Sample Rate) - 105 dB
  • Bit Depth - 24
  • Reference Level for 0 dBFS - +10 dBu
  • Internal Sample Frequency Selections (kHz) - 44.1, 48, 88.2, 96
  • Power - USB bus-powered

Physical

  • Height - 1.71” (43.5 mm)
  • Depth - 5.31" (135 mm)
  • Width - 5.91” (150 mm)
  • Weight - 1.35 lbs (0.62 kg)
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