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Kendrick Amplifiers - BadAss Man - 2410 - 4x10 Tweed - 40/10/2.6 Watts

$2299.00 $3895.00


Kendrick 20th Anniversary 2410

Our Perspective:
If you like the original Fender Tweed Baseman, but want more power and features - This amp is for you!! This amp is pretty mint, it has a few dings to the tweed, the tubes were changed from 6L6 to 5881’s just to make it a little more playable for club gigs. Also, the customer had a small box made (mounted to the baffle board) so you can by-pass the attenuator. The attenuator is hooked up right now. It also comes with the original cover.

Consignment Sale, as such, All Sales Final!

Local Pickup Only!

From Kendrick:
It was 20 years ago today! Well almost! It has been nearly 20 years since Kendrick introduced the 2410 combo amp. In the late 80s people were using transistor stereo power amps and rack-mount guitar amplifiers! The 2410 was the first point-to-point all-tube guitar amp to hit the scene in over 15 years. It changed everything for the 90s. To commemorate the 20th anniversary of the introduction of the 2410, we will offer a 100-piece limited edition 2410 BadAssMan amp. These are serialized from #B001 to #B100. There are many improvements over the original 2410 such as:

  • 175 year-old, unbelievably resonant antique pine cabinet covered in two-tone lacquered tweed (nico-tweed with brown pin-stripe) 
  • Beautiful, baked-epoxy, gold metalflake powder-coat faceplate with black epoxy lettering 
  • All the standard controls found on the original 2410 (and the original 5F6A Bassman), plus Reverb! Tube/spring reverb ala Twin Reverb circuitry 
  • 5AR4 Rectifier with special invincible circuitry. It will never go down during a performance. 
  • Lead and Clean channel with better voicing. The Clean channel offers three-dimensional clean tones without scooping the mids. The Lead Channel gives up complex lead tones that rival cellos playing in unison. 
  • Two 6L6, four 12AX7 and one 12AT7 vacuum tube 
  • Kendrick Quik Bias system with external pinjacks (like Gerald Weber Signature amp), so you can set the bias of your tubes in about 1 minute using only a digital voltmeter. 
  • Optional built-in Power Attenuator to bring the wattage from 40 watts to 10 watts or 2.6 watts.

Some of the features will be the same as the original 2410:

  • Four 10 Blackframe speakers made from NOS Donal Kapi cones (original supplier for Jensen) 
  • Custom-made cloth-covered wire, Custom-made epoxy glass component board, and custom-made paper-bobbin transformers 
  • 100% Point-to-Point handwired construction. The circuitry will feature improved layout with all the components cleverly laid out with a minimum of hook-up wire (similar to the Gerald Weber Signature amp). This makes for a better sounding and more stable amp tone; just perfect for blues, country, rock-a-billy, jazz, rock, or fusion. And there are three inputs. One for the lead channel, one for the clean channel and one labeled BOTH. The BOTH input will allow you to blend both channels together to get those multi-amp, Stevie Ray Vaughan tones. You can actually blend the lead and clean channel!

With two decades of empirical wisdom gained from building thousands of tube amps, and with the wisdom and hindsight gained from servicing nearly 17,000 vintage tube amps, the 20-year anniversary Limited Edtion 2410 BadAssMan, will be our crowning achievement of what a four-ten combo amp could aspire to be. If you own an original 2410 Amp or 5F6A Bassman, I promise the BadAssMan will eat it alive! It is a Bad Ass.

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Ampeg SVT-CL Bass Head & SVT-410HLF Cabinet - USED

$1349.00 $1900.00


Ampeg SVT-CL & SVT-410HLF

Our Perspective:

This has just came in on consignmnet. It has very low hours and is in mint condition. It comes with covers. Theres really not much to say - for all intensive purposes, she is "new"!!

Due to the weight, this amazing stack is for local pickup ONLY!

Consignment Sale - As such, ALL SALES FINAL!!

SVT-CL Bass Head

The harmonically rich sound and legendary performance of the Ampeg SVT are redefined in the SVT Classic. This dynamically powerful all-tube bass amp delivers a thunderous 300-Watts of unsurpassed quality, reliability and tonal flexibility. Although other companies have tried to capture the classic all-tube sound of ’60s and ’70s Ampeg bass heads, no one can touch the SVT.

Classic Series Heads are designed for players who are looking for the authentic, vintage Ampeg tube sound that has earned the respect of the industry. With a huge and diverse group of artists endorsements, including George Clinton (P-Funk), Gene Simmons (KISS), Dave "Phoenix" Farrell (Linkin Park), and far too many others to list here, the SVT-CL is a clear favorite. In the world of high performance bass amps it stands head and shoulders above the rest.

  • Padded Input
  • ¼" and Neutrik Speakon® Outputs
  • Complete Tube Protection
  • User Bias Adjustment


  • Preamp: Tube (2 x 12AX7)
  • Driver Tube(s): 1 x 12AX7, 2x 12AU7 
  • Power Amp: Tube (6 x 6550)
  • RMS Power Output (2 Ohms): 300-Watts 
  • RMS Power Output (4 Ohms): 300-Watts 
  • Tone Controls: 3-Band
  • Mid Tone Control: 5-Position Selector
  • Ultra High/Low: Yes 
  • Balanced Line Out: Yes
  • Preamp Out/Power Amp In: Yes
  • Slave Output: Yes
  • Dimensions (W x H x D inches): 24 x 11.5 x 13
  • Weight: 80 Pounds


This is the speaker cabinet for the bass player who demands the ultimate in a single, compact cabinet setup. The SVT-410HLF delivers devastating low-end bass, all the way down to 28Hz, thanks to four 10” speakers working together to move a tremendous amount of air. The SVT-410HLF actually moves 10% more air than two 18-inch speakers, and 25% more than three 15-inch speakers! And those leviathans simply can’t respond to transient peaks as quickly as four tens can.

The SVT-410HLF also delivers superb top-end, thanks to its 1” horn driver, strategically crossed over at 4kHz. This is a favorite enclosure for such artists as Meshell Ndegeocello, John McVie of Fleetwood Mac, and Ricky Skaggs’ bass player, Mark Fain.

The Ampeg SVT-410HLF is the supreme speaker enclosure for the multi-string bass player seeking both superior power handling and true high-fidelity performance.

  • Tilt Back Handle Bar
  • 1/4” and Neutrik Speakon® Jacks
  • Variable HF “L-Pad”
  • Poplar Ply
  • 3” Dolly-Style Casters


  • LF Drivers: 4 x 10” 
  • Voice Coil: 2”
  • Magnet Weight (each): 30 oz 
  • HF Drivers: Horn/Driver 
  • Voice Coil: 1”
  • Magnet Weight (each): 8 oz 
  • RMS Power Handling: 500-Watts 
  • Frequency Response (-3dB): 48Hz-18kHz 
  • Usable Low Frequency (-10dB): 28Hz
  • Nominal Impedance: 4-Ohms 
  • Sensitivity: 98dB
  • Maximum SPL: 125dB
  • Dimensions (W x H x D inches): 24 x 30 x 19
  • Shipping Weight: 110 Pounds
  • Handling Weight: 85 Pounds
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Paul Reed Smith PRS Archon 100 watt Head and 2x12 Closed Back Cabinet - USED

$1650.00 $2799.99


Archon 100

Our Perspective:
This amazing PRS amp and cabinet just came in on consignment form the original owner. It was lightly used at his home and is in mint condition. Comes with original boxes, manual and footswitch.

Consignment Sale, as such ALL SALES FINAL.


High-Gain Heavyweight
Greek for “ruler” or “lord,” the PRS Archon is a commanding and versatile 2-channel amp with aggressive overdriven tones and sparkling cleans with plenty of headroom. The Archon’s lead channel was designed with five gain stages before the master volume, delivering full, lush distortion. The clean channel provides ample headroom with rich clear tones that retain clarity even at high volume and are an excellent platform for pedals. The Archon has remarkably responsive tone with incredible note separation, whether you’re playing on the clean channel or chugging on the lead.
6L6 tubes offer plenty of versatility and warmer, more balanced tone across the full range of frequencies. They will also push with less saturation for a bit of a sweeter, smoother tone.
Utilizing a ‘no flash or trash’ approach, the Archon’s control layout features volume and tone controls for each channel, a global depth control to add a thunderous low end, and a presence control to effect the high end chime. A half-power switch allows players to choose either 100 or 50 watts of output adding to the Archon’s extreme flexibility.


  • Watts - 100W/50W (Half Power Switch)
  • Channels - Lead/Clean
  • Power Tubes - (4) 6L6GC
  • Preamp Tubes - (6) 12AX7
  • Output Jack Configuration - (2) Parallel Jacks - 4, 8, 16 Ohms
  • Fixed/Adjustable or Cathode Bias Fixed Bias (Adjustable)
  • Dimensions (Unboxed) - 21.5"L x 10.5"D x 10"H
  • Weight - 43 lbs (nominal)
  • Color - Paisley/Black Gold

High End Tone and Durability
Our 2x12 Closed Back and 4x10 Open Back PRS Stealth Speaker Cabinets feature solid pine, finger-joint construction for strength and durability. The 2x12 Cabinet features Celestion Vintage 30's and the 4x10 Cabinet features Celestion G10 Greenback speakers.
Our 4 x 12 PRS Stealth Speaker Cabinet is constructed with tried-and-true European birch plywood and features Celestion Vintage 30s.
All of our Stealth Cabinets are wrapped in our heavy duty black "Stealth" tolex covering with gold piping.


  • Wood(s) - pine, fingerjoint cabinet
  • Color - Paisley/Black Gold
  • Speaker(s) - Celestion Modified Vintage 30
  • Power-Handling - 120 Watts
  • Impedance - 8 Ohms
  • Weight - 51 lbs
  • Dimensions, LxWxH - 32” x 11” x 22.5”
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Fender Deluxe Reverb II - Rivera Era - Hand-Wired - 1983/84



Deluxe Reverb II

Our Perspective:
This just came in from the original owner, who never played it - he bought it to play harmonica through and once he got it home realized it was not the sound he was looking for. He came in today and purchased boutique clone of a 1959 tweed deluxe from us and left this amp on consignment with us. Everything works as it should, the amp sounds great and the original footswitch is included. It looks like all the original glass is present as well!! This is a time capsule amp!! No disappointments here!!

Consignment Sales, as such, All Sales Final!!

Description found on the Internet:
Designed to compete with Mesa Boogie in the early 80's under the lead of Paul Rivera, this amp is a bit different than the Deluxe Reverb that most of us are familiar with. It is a two channel hand wired amp that has reverb on both channels and only one set of inputs. The channels are switched using a pull switch on the volume control pot of the first channel or by a foot-switch that also switches the reverb on and off (foot-switch not included). The first channel is your standard deluxe clean that you can send into breakup by turning most of the way up. The second channel is a gain channel that has both a gain and volume control and a pull switch mid boost. This is very handy for getting classic overdriven deluxe reverb tones at a fraction of the volume. It will also go way beyond the classic deluxe tones. It will do anything from fat and bluesy to seriously crunchy overdrive, especially with the mid boost engaged. There is no tremolo circuit in any of the Rivera era Fender amps, however the reverb to my ear sounds better than almost any amp I have ever played. There is also a presence control that when coupled with the reverb is very handy in shaping your tone. This is very useful for any application where you want a ton of reverb but you need a bit of control over the harmonics produced by a super wet reverb setting. It also has a recording/direct line out.

These amps were the last of the hand wired Fender production amps and had a relatively short production run, from 82-86. They were also the last era built in Fullerton


  • Model - Deluxe Reverb II
  • Serial # - F312084 (dates amp to 1983/84)
  • Speaker - 1x12 Oxford (? number on speaker - 019465)
  • Tubes - 2 x 6v6, 7025, 12AT7
  • Rectifier - Solid State
  • Watts - 20
  • Effects - Reverb
  • Channels - 2
  • Weight - 32 LBS.
  • Years of Production - 1982 - 1986
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