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PreSonus StudioLive 24.4.2AI Digital Mixing System with Active Integration

$2999.99 $3999.99

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StudioLive 24.4.2AI

Compare StudioLive AI Mixer Models
The StudioLive 32.4.2AI is the top-of-the-line, and in most respects, it is very similar to the StudioLive 24.4.2AI and 16.4.2AI. The most obvious differences are that the 32.4.2AI has more channels and aux buses than the other two AI-series models. It’s also the only StudioLive mixer with Quick Scenes and Mute Groups available from the mixing surface. (The StudioLive 24.4.2AI and 16.4.2AI have these features in VSL-AI.)
Although the three StudioLive AI-series mixers are virtually identical in many respects, there are some other noteworthy differences, as shown in the table below.
Bottom line: If you don’t need 32 channels and 14 auxes, can live without Quick Scenes and Mute Groups on your mixing surface, and would like to have a smaller footprint (the 16.4.2AI is rack-mountable and comes with rack ears)—not to mention spend less money—the StudioLive 24.4.2AI and 16.4.2AI are great choices.


Specs:

  • Input Channels: 24
  • Aux Buses: 14 (10 with analog outs + 4 internal FX)
  • Mute Groups: 6 (via VSL-AI)
  • Quick Scenes: 6 (via VSL-AI)
  • Digital Sends/Returns: 40/26
  • Fat Channel EQ: 4-band parametric with individual band and global On/Off
  • Gate Parameters: On/Off, Threshold, Range, Attack, Release, Key Filter, Key Listen, Expander
  • Limiter Parameters: On/Off, Threshold
  • Graphic EQ: 12 (auxes, mains); front-panel GEQ switch
  • Rackmount: With optional adapter and oversize rack
  • Dimensions (LxWxH): 21.31” (54.13 cm) x 25.19” (63.98 cm) x 7.02” (17.82 cm)
  • Weight: 30 lbs. (13.6 kg)


Digital mixing: the next generation
With a powerful user interface, unrivaled sound quality, amazing DSP performance, direct Wi-Fi and LAN communication, fast and intuitive workflow, onboard FireWire s800 interface, and tightly integrated software suite for Mac®, Windows®, and iOS®, StudioLive™ AI-series digital mixers create a streamlined working environment for both live and studio use.


The Future is Active Integration™
StudioLive AI-series mixers start with all the strengths that made StudioLive mixers famous. Then they push the technology to the next level with Active Integration™ (AI), a complete, networked, tightly integrated hardware/software ecosystem in which every touch point in the system communicates to enhance the user experience and solve practical problems in ways not previously possible.

​Active Integration products combine powerful 32-bit floating-point DSP, wireless and wired networking, USB 2.0 connectivity, and proprietary software to solve real-world live-sound and studio problems. PreSonus leads the industry in hardware/software integration, and Active Integration takes this concept to a new level, offering high-end capabilities that have never been available before.
Current Active Integration products employ cutting-edge OMAP™ L138 processors — a whole computer on a chip. These 32-bit, 96 kHz multi-stream CPUs operate at 350 MHz and feature an operating system, 100 Mb Ethernet communications, USB 2.0 and 1.1, and lavish amounts of high-speed RAM.

In PreSonus StudioLive™ AI-series digital mixers, Active Integration technology includes powerful Wi-Fi remote control over a variety of features, using free Mac®, Windows®, and iPad® software. In addition, Active Integration enables standard Ethernet communications and optional Dante and AVB networking, making possible extremely flexible, powerful, networked systems.
Thanks to Active Integration, the StudioLive AI-series mixers have 64 times the processing power and an incredible 10,000 times more RAM than the previous top-of-the-line StudioLive 24.4.2. This makes possible an extended feature set, including twice as many internal effects buses, and the ability to create two complete sets of EQ and dynamics settings for a channel and then make quick A/B comparisons at the touch of a button—all built on the same 64-bit architecture that makes Studio One sound so good.

With Active Integration, new features and enhancements can be added in future firmware and software updates—and PreSonus has earned a reputation for regularly supplying such updates in its digital products.
But Active Integration doesn’t stop with hardware. The new StudioLive AI software suite has also been redesigned to take advantage of the new networking features.


All PreSonus mixers are a special order, please allow 5-7 days.

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PreSonus StudioLive 16.4.2AI Digital Mixing System with Active Integration

$1999.99 $2499.99

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StudioLive 16.4.2Al


Compare StudioLive AI Mixer Models

The StudioLive 32.4.2AI is the top-of-the-line, and in most respects, it is very similar to the StudioLive 24.4.2AI and 16.4.2AI. The most obvious differences are that the 32.4.2AI has more channels and aux buses than the other two AI-series models. It’s also the only StudioLive mixer with Quick Scenes and Mute Groups available from the mixing surface. (The StudioLive 24.4.2AI and 16.4.2AI have these features in VSL-AI.)
Although the three StudioLive AI-series mixers are virtually identical in many respects, there are some other noteworthy differences, as shown in the table below.
Bottom line: If you don’t need 32 channels and 14 auxes, can live without Quick Scenes and Mute Groups on your mixing surface, and would like to have a smaller footprint (the 16.4.2AI is rack-mountable and comes with rack ears)—not to mention spend less money—the StudioLive 24.4.2AI and 16.4.2AI are great choices.

Specs:

Input Channels: 16
Aux Buses: 10 (6 with analog outs + 4 internal FX)
Mute Groups: 6 (via VSL-AI)
Quick Scenes: 6 (via VSL-AI)
Digital Sends/Returns: 32/18

Fat Channel EQ: 4-band semi-parametric (mid bands: High/Low Q switch) with individual band and global On/Off(Fully parametric EQ is available through VSL-AI and SL Remote-AI.)

Gate Parameters: On/Off, Threshold, Release(Range, Attack, Key Filter, Key Listen, and Expander are available through VSL-AI and SL Remote-AI.)

Limiter Parameters: On/Off (Threshold is available through VSL-AI and SL Remote-AI.)

Graphic EQ: 8 (auxes, mains); front-panel GEQ switch
Rackmount: Yes (rack ears included)
Dimensions (LxWxH): 22.35” (56.8 cm) x 17.22” (43.74 cm) x 6.90” (17.53 cm)
Weight: 23 lbs. (10.43 kg)

Digital mixing: the next generation
With a powerful user interface, unrivaled sound quality, amazing DSP performance, direct Wi-Fi and LAN communication, fast and intuitive workflow, onboard FireWire s800 interface, and tightly integrated software suite for Mac®, Windows®, and iOS®, StudioLive™ AI-series digital mixers create a streamlined working environment for both live and studio use.

The Future is Active Integration™
StudioLive AI-series mixers start with all the strengths that made StudioLive mixers famous. Then they push the technology to the next level with Active Integration™ (AI), a complete, networked, tightly integrated hardware/software ecosystem in which every touch point in the system communicates to enhance the user experience and solve practical problems in ways not previously possible.
​Active Integration products combine powerful 32-bit floating-point DSP, wireless and wired networking, USB 2.0 connectivity, and proprietary software to solve real-world live-sound and studio problems. PreSonus leads the industry in hardware/software integration, and Active Integration takes this concept to a new level, offering high-end capabilities that have never been available before.
Current Active Integration products employ cutting-edge OMAP™ L138 processors — a whole computer on a chip. These 32-bit, 96 kHz multi-stream CPUs operate at 350 MHz and feature an operating system, 100 Mb Ethernet communications, USB 2.0 and 1.1, and lavish amounts of high-speed RAM.
In PreSonus StudioLive™ AI-series digital mixers, Active Integration technology includes powerful Wi-Fi remote control over a variety of features, using free Mac®, Windows®, and iPad® software. In addition, Active Integration enables standard Ethernet communications and optional Dante and AVB networking, making possible extremely flexible, powerful, networked systems.
Thanks to Active Integration, the StudioLive AI-series mixers have 64 times the processing power and an incredible 10,000 times more RAM than the previous top-of-the-line StudioLive 24.4.2. This makes possible an extended feature set, including twice as many internal effects buses, and the ability to create two complete sets of EQ and dynamics settings for a channel and then make quick A/B comparisons at the touch of a button—all built on the same 64-bit architecture that makes Studio One sound so good.
With Active Integration, new features and enhancements can be added in future firmware and software updates—and PreSonus has earned a reputation for regularly supplying such updates in its digital products.
But Active Integration doesn’t stop with hardware. The new StudioLive AI software suite has also been redesigned to take advantage of the new networking features.

 
 
All Presonus mixers are special order, please allow 5-7 days.
 
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PreSonus StudioLive 16.0.2 Digital Mixer

$999.99 $1599.99

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StudioLive 16.0.2


The Light Heavyweight: StudioLive 16.0.2
If your needs and budget are more modest, consider the StudioLive 16.0.2 rather than a StudioLive AI-series mixer. The 16.0.2 doesn’t have the power of Active Integration but it’s plenty powerful enough for many applications, and it’s inexpensive, compact, lightweight, and ultra-portable.

The StudioLive 16.0.2 also has a very cool feature that the larger StudioLive AI mixers don't offer: MIDI control over main output level, effects levels and routing, and Scene change. It has MIDI I/O on standard 5-pin DIN jacks—perfect for remote control from a MIDI footpedal or other controller—and it can serve as a standard MIDI interface for your computer. The StudioLive 16.0.2 also can send and receive MIDI over FireWire, so you can automate its MIDI features from a DAW.


Meet the StudioLive 16.0.2!
Our first-generation StudioLive™ 24.4.2 and 16.4.2 changed the game, offering amazing performance and ease of use for a great price. So we packed the same audio quality, performance, and seamlessly integrated software (including remote control) into a smaller, even more affordable package: the StudioLive 16.0.2. True, the little fellow doesn't have the Active Integration™ muscle of the mighty StudioLive AI-series mixers but it's far more powerful than its size might lead you to believe. Furthermore, it's amazingly lightweight and offers MIDI control—unique in the StudioLive line. It's easy to love this portable powerhouse.


Small size. Bigger possibilities.
In a “footprint” of less than 2 square feet (0.19 sq. meters), the compact, 16-channel StudioLive 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX™ Class A solid-state mic preamps. (It has a total of 13 Class A mic preamps, including the Talkback input.)

But don't let its size fool you; the 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters.


More than a mixer: an integrated system.
The StudioLive™ 16.0.2 integrates a 16x16 FireWire interface and comes with Capture™, Studio One Artist™ recording and production software, and Virtual StudioLive (VSL) bidirectional control software. VSL, in turn, incorporates Smaart Measurement Technology™, which makes it easy to analyze and fine-tune your main mix.

Moreover, you can control virtually the entire mixer from an iPad® using PreSonus StudioLive Remote, and you can control the aux (monitor) mixes from an iPhone® or iPod touch® using PreSonus QMix™. Both are free downloads from the Apple App Store.

Because of our powerful, integrated, free software, StudioLive digital mixers can do far more than their competition.


There are five parts to this unique system:

  1. Virtual StudioLive with Smaart for laptop control, editor/librarian functions, and sound-system analysis and correction
  2. StudioLive Remote for iPad remote control (available free from the Apple App Store)
  3. QMix™ for iPhone and iPod touch remote control (available free from the Apple App Store)
  4. Capture™ for two-click multi-track recording and playback
  5. Studio One Artist Digital Audio Workstation for enhancing your recordings (and for direct recording from StudioLive 16.0.2 or any compatible interface)


Virtual StudioLive: The magic of computer control.
Written exclusively for StudioLive mixers, Virtual StudioLive (VSL) provides a complete visual representation of the mixer, allowing you to control the features with a mouse, trackpad, or trackball on a FireWire-equipped Mac® or PC. Add third-party VPN software, and you can even control StudioLive mixers over the Internet—ideal for contractors. To get a competing mixer with computer control even close to this complete, you'd have to pay several times as much.
Learn more about Virtual StudioLive.

Even better: wireless control!
You’re mixing a live show with an old-skool mixer—make that any mixer other than StudioLive—and you need to check the sound underneath the balcony—or in the balcony, for that matter. Or you’re sound-checking and want to hear the stage monitors for yourself. If you can’t leave the mixing station, you have to rely on someone else’s ears. If you don’t have a reliable crew, you don’t have a chance.
You can say goodbye to that problem if you use a 16.0.2 and an Apple iPad! With StudioLive Remote for iPad—available free from the Apple App Store—you have complete, real-time, wireless remote control over Virtual StudioLive, which in turn offers real-time control over the StudioLive mixer. As long as you have a wireless connection between your iPad and computer (and are connected via FireWire to the 16.0.2), you are in control of the console.


Learn more about StudioLive Remote.
Yet even better: control of monitor mixes from iPhones and iPod touches!
We've given you a lot of sonic control with the StudioLive, Virtual StudioLive, and StudioLive Remote. It's only fair that we help you give the band control of their sound, too. With PreSonus' free QMix™, each band member can control their own StudioLive aux (monitor) mix from an iPhone® or iPod® touch. QMix lets you adjust a single aux mix per iPhone. Select inputs and levels for your custom monitor mix, and then use the Wheel of Me to get, well… “more me”… quickly during performances.

You can even set permissions to ensure that the bass player, always the practical joker, can't mess with the hot-tempered lead singer's monitor mix. Otherwise, that bass player is going to get in trouble someday. We're just sayin'….
Learn more about QMix.


Recording made easy with Capture™.
Check out our competition, and you’ll discover that their “recording” capabilities amount to stereo-only or just four channels — or require expensive add-ons.
With the StudioLive 16.0.2, if you have a laptop, you have a multitrack digital recorder instantly ready to capture your gig, church service, or presentation.
Just two mouse clicks engages Capture recording software. When you install it on your laptop, it automatically “maps” to the outputs of the 16.0.2 to automatically record all 16 input channels.

 

Studio One® Artist — A serious digital audio workstation.

  • Once you’re recorded studio tracks or a live multi-track performance, it’s time to finish it with effects and a good mix (not to mention editing out that huge burst of feedback during the third song).
  • Studio One is a groundbreaking music-creation and -production application for Mac OS X and Windows XP/Vista/7 that makes audio recording and MIDI sequencing ridiculously simple right out of the box.
  • Studio One changes the rules of the game with fresh code, innovative drag-and-drop features, advanced MIDI mapping, auto-configuration with your StudioLive 16.0.2, insanely good audio quality, unlimited tracks and plug-ins per track, and a powerful, inventive Start page. Studio One Artist also comes with a Native Effects™ 32-bit effects library, complete with dynamics processors, reverbs, modulation effects, amp simulators, and more. And with Studio One's free Nimbit® extension, you can immediately start selling your music.

 

130 quality signal processors at your fingertips.
The 16.0.2's Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects.


Not just effects. Effects you’d expect from a $600 standalone processor.
You get two programmable, 32-bit floating point, stereo DSP effects engines, loaded with 50 reverb, delay, and time-based effects presets that you can really use.


The reverbs are so rich and detailed that you feel like you’re there. Delays are precise. Slap echo sounds like old-skool tape effects. All 50 effects have easy-to-use parameter adjustment, tap tempo, and store and recall selection for the ultimate in creative flexibility.


The StudioLive 16.0.2 also sports a stereo 31-band graphic equalizer on the main outputs, so you can compensate for room acoustics and speaker response.
Whether StudioLive’s dozens of signal processors and 50 DSP effect presets were on gigundo channel strips, in a whopping rack of outboard gear, or neatly condensed into our Fat Channel, they have a lot of settings to remember and reset at every performance. That’s where the power of digital comes in: StudioLive never forgets.


Our first compact mixer with MIDI control from a footpedal.
Moreover, a glance at the rear panel reveals that "Junior" offers something the two bigger boards don't: MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control.

 

What was then is now: complete store and recall.
Two factors work against getting that Perfect Mix with an analog mixer. First, the Perfect Mix can be hard to reproduce a week, day, or hour after you perfect it. And second, a good mix should be dynamic: levels, effects, and EQ should be tailored to each song or segment of the show, service, or presentation.
StudioLive solves this problem by letting you save all of your digital settings for quick setup and recall.

 

Specs:

  • Input Channels: 16 total: 8 mono, 4 stereo
  • XMAX™ Preamps: On 12 channels
  • Aux sends: 4
  • Subgroups: 0
  • Faders: 60 mm for all channels, auxes, and mains
  • MIDI I/O and Control: Yes (via 5-pin DIN and FireWire)

All PreSonus mixers are special order, please allow 5-7 days.

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Presonus Blue Tube DP 2-Channel Mic/Instrument Tube Pre-Amp

$229.99 $279.99

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Blue Tube DP 2


End the Debate!
Solid-state clarity or tube warmth, which to choose? We suggest you stop wasting time pondering that old argument and choose the BlueTube DP dual-path mic/instrument preamp, which lets you apply fat, warm 12AX7 tube tone or go with solid-state transparency.

 

The solid-state path leads to our classic high-headroom, Class A XMAX™ mic preamplifier with 54 dB of gain. The tube path features a high-output, 12AX7 vacuum tube that operates on voltages double that of other preamplifiers in its class, producing lots of headroom and big tone. You get all the secondary features you expect in a professional-grade preamp: 48V phantom power, an 80 Hz high-pass filter, -20 dB pad to control hot input signals, and a polarity-reverse switch. Each channel has an illuminated VU meter so you can visually monitor your input levels.

 

A Tube Drive control provides a wide range of sounds: when it’s clicked off, you’re using the solid-state preamp for quiet, transparent amplification; when it’s engaged, your signals flow through the tube preamp, and you can achieve anything from gentle warmth to edgy distortion.

 


Versatile and Affordable
Thanks to its two combo mic/instrument inputs, the BlueTube DP is an excellent choice for guitars and basses, as well as for vocals. With balanced XLR and unbalanced ¼” main outputs, it serves as a dandy direct box (DI). If you’re a singer-songwriter who performs solo with a guitar, you can run your vocal through one channel and your guitar through the other, then feed both to the house system—no guitar amp needed. Try the BlueTube DP as a front end for your DAW, as well; sure, your recording interface might already include preamps, but few of them give you both tube and solid-state operation.

 

The BlueTube DP is packaged in a compact, rugged, 1/2U chassis so it can be used as a desktop unit or rack-mounted with the optional 2UHR rack adapter. To top it off, we offer the BlueTube DP at a very affordable price.
So if you’re debating between getting a tube preamp or a solid-state preamp, quit torturing yourself! Get the best of both worlds with the most versatile, best-sounding mic/instrument preamplifier in its price range: the BlueTube DP.


Features:
2 input channels, each with:

  • High-headroom Class A XMAX™ mic preamplifier
  • Dual path, 12AX7 vacuum tube and solid-state gain stages
  • Solid-state Gain control with 0 dB to +54 dB gain range
  • Tube Drive tube-saturation control
  • 48V phantom power
  • 80 Hz high-pass filter
  • -20 dB pad
  • Polarity-reverse switch
  • Illuminated analog VU input-level meter

Input/Output

  • 2 balanced combo mic/unbalanced instrument inputs
  • 2 balanced XLR main (L/R) line outputs
  • 2 unbalanced ¼” main (L/R) line outputs

Physical

  • Compact 1/2U rack-mount chassis
  • External 16 VAC power supply
  • Optional 2UHR rack adapter
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PreSonus 1-Channel Compressor Comp16

$129.99 $159.99

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Comp16


Compression Made Easy

Dynamics processing is by far the most commonly misunderstood type of signal processing. It’s just not as intuitive as, say, EQ and delay. Many musicians struggle to find the right compressor settings.


The COMP16 makes compression more accessible by providing 16 presets that have been carefully tailored for a wide range of applications, including vocals, percussion, fretted instruments, keyboards, stereo program material, and effects. All you have to do is choose a preset, tweak the input gain and makeup gain to taste, and you’re done. The backlit VU meter displays either gain reduction or output gain, and a bypass switch lets you check the processed signal against the original.


Like other processors in our Max Rack series, the COMP16 has separate balanced ¼” line and XLR mic inputs and outputs, and it can sit on a tabletop or can be mounted in 1/3 rackspace, using the optional 3UMR rack adapter.

And that’s all you need to know—except that the price is as small as the box.

 

COMP16 compression made easy.


Features:
Analog compressor/limiter with:

  • Preset Select (16 presets)
  • Input gain control with -20 to +20 dB gain range
  • Output (makeup) gain control with -20 to +20 dB gain range
  • Backlit VU meter
  • Output to Meter switch (meter displays gain reduction or output gain)
  • Bypass

Input/Output

  • 1 balanced ¼” line input
  • 1 balanced XLR line input
  • 1 balanced ¼” line output
  • 1 balanced XLR line output

Physical

  • Compact 1/3U rack-mount chassis
  • External 12 VDC power supply
  • Optional 3UMR rack adapter
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PreSonus AudioBox iTwo 2-in/2-out USB Audio Interface

$149.99 $199.99

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AudioBox iTwo

 

2-in/2-out USB Audio Interface with 2 x XLR/TRS Combo Inputs, Studio One Artist 2 DAW Software (Mac/PC), and Capture Duo App (iPad)

 

Portable, High Fidelity, and Multiplatform

Excellent choices for mobile musicians, sound designers, and podcasters, the USB 2.0 bus-powered AudioBox iOne and iTwo provide high-quality audio I/O for Mac®, PC, and Apple iPad®. These compact, ruggedly built interfaces offer high-performance Class A mic preamplifiers, record 24-bit audio at up to 96 kHz, and include powerful, easy-to-use Studio One® Artist DAW for Mac and Windows and Capture™ Duo recording software for iPad.

 

Tightly Integrated Software—As You Expect from PreSonus!

PreSonus is famous for its tightly integrated hardware/software solutions, and the AudioBox i series is no exception. Of course you get Studio One Artist. But we didn’t stop there!

 

Class A All the Way
PreSonus’ award-winning analog signal processors and microphone preamps have long been popular among top professionals and home enthusiasts alike. So when you see the name PreSonus, you expect top audio quality—and the AudioBox i series delivers.

 

Heavy Metal Never Weighed So Little!
AudioBox iOne and iTwo are mobile interfaces in the best sense of the term. They can sit on a tabletop or fit in the pocket of a backpack or laptop bag and are powered by the USB bus, so you don’t have to mess with a “wall wart” power supply or AC cord. And they’re built to withstand the rigors of travel.


Built to Travel
We designed AudioBox iOne and iTwo to excel as mobile interfaces, so we built them to take a serious pounding and remain completely reliable. They’re built like small tanks, with a metal chassis and knobs/jacks secured directly to the enclosure to reduce strain on the internal circuit board.
So toss the AudioBox iOne or iTwo in your backpack or laptop bag and take it along! Wherever your travels take you, your AudioBox i-series interface will be ready to perform.


The Finishing Touches
We could have stopped right there, but it’s not our way to stop when we can give you even more. So we included an internal analog mixer with zero-latency monitoring, enabling you to monitor recorded tracks and overdubs with no annoying delay time. The iOne lets you use a 50-50 mix of recorded tracks and live input; the iTwo lets you create your own mix.
We included a Kensington key lock to keep your AudioBox i-series interface safe when you travel. And the iTwo has MIDI In and Out so you can use your keyboards and controllers. (The iOne is strictly an audio interface.)
So if you’re looking for a simple, versatile recording interface with exceptional sound quality that works with a Mac, PC, and iPad, look no further than the AudioBox i series. Because sometimes a simple, well-made, well-designed solution is exactly what you need.

 

Two to Go, Please!
The AudioBox i series consists of two great 24-bit, 96 kHz mobile-recording solutions: the compact AudioBox iTwo and subcompact AudioBox iOne.

 

Features:


All features are available in both the AudioBox iOne and the AudioBox iTwo except where otherwise specified.


Core Technology

  • Bus-powered USB 2.0/iPad audio interface 
  • 24-bit resolution; 44.1, 48, 88.2, and 96 kHz sampling rate


AudioBox iOne Inputs and Outputs

  • 1 microphone input with low-noise, high-headroom, Class A mic preamplifier and +48V phantom power
  • 1 instrument input
  • 2 balanced ¼” TRS main line-level outputs
  • Stereo headphone output with independent level control


AudioBox iTwo Inputs and Outputs

  • 2 microphone inputs with low-noise, high-headroom, Class A mic preamplifiers and +48V phantom power
  • 2 switchable line/instrument inputs
  • 2 balanced ¼” TRS main line-level outputs
  • 1x1 MIDI In/Out
  • Stereo headphone output with independent level control


Controls

  • Zero-latency monitoring via internal analog mixer (iOne: fixed 50/50 mix via Direct button; iTwo: variable mix via Mix knob)
  • Large main volume knob
  • Signal present and clipping LEDs


Integrated Software

  • Studio One® Artist DAW software (Mac/Windows) and 6+ GB of third-party resources
  • Transfer files wirelessly from Capture for iPad to Studio One
  • Compatible with almost all recording software for Mac®, Windows®, and iPad®
  • Nimbit® Free account to distribute and sell your music


Construction and Security

  • Kensington lock hole
  • Metal chassis
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PreSonus 4-Channel Headphone Distribution System HP4

$129.99 $159.99

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HP4

Now Hear This!
Are you and your session players and bandmates tired of straining to hear underpowered headphones? We were too. That’s why Jim Odom and his jambalaya-fueled team of engineers designed 150 mW headphone amps for the HP4 headphone-distribution system.


These headphone amps are not just loud enough for session and stage use, they’re loud enough to explode the oysters in a Po’ Boy sandwich. Yet the sound is clear and clean, with a wide dynamic range. At last, everybody will be able to hear—assuming they are capable of hearing. Be careful with that level control!

Simplicity is the HP4’s hallmark. You get left and right line inputs, left and right line outputs with level control, and the four headphone outs. You can globally mute the headphone outs, adjust the overall headphone level, sum the stereo signals to mono, and mute the rear-panel Monitor outputs.

The HP4 can sit on a tabletop or can be screw-mounted to a standard rack tray (not included), where it requires just 1/3 rackspace. And if your needs grow, you can use the line outputs to feed the inputs of a second HP4 or an HP60. Chain as many headphone systems as you need.

So listen up! Quit struggling with mediocre headphone amps. Get the HP4 and hear everything loud and clear. You owe it to your music.

Features:

Input/Output

  • 4 screaming-loud (150 mW per channel) stereo ¼” headphone outputs (front panel)
  • 2 balanced ¼” line outputs (monitor outputs)
  • 2 balanced ¼” line inputs

 

Meters, Controls, and Features

  • Headphone level control for each channel
  • Mono summing switch for each channel
  • Monitor level control
  • Monitor mute switch
  • Daisy-chain multiple units via monitor outputs

 

Physical

  • Compact 1/3U rack-mount chassis
  • Sealed, detented, metal rotary controls
  • External 16 VAC power supply


Inputs

  • Connector Type ¼” TRS, balanced
  • THD+N 0.0025%, 1 kHz, unity gain 
  • Max Input Level +18 dBu, <0.5% thd+n,="" unity="">
  • Input Impedance 10 kΩ
  • Frequency Response 20 Hz - 20 kHz, ±0.5dB

 

Monitor Outputs

  • Connector Type ¼” TRS, asymmetrical, impedance-balanced
  • THD+N 0.0025%, 1 kHz, unity gain 
  • Max Output Level +18 dBu, <0.5%>
  • Output Impedance 51Ω
  • Frequency Response 20 Hz - 20 kHz, ±0.5dB

 

Headphone Outputs

  • Connector Type ¼” TRS, stereo
  • Max Output Power 130 mW/Ch., <0.5% thd+n,="" 60ω="">
  • Frequency Response 20 Hz - 20 kHz, ±0.5 dB, 60Ω load
  • Headphone Impedance Working Range 32Ω - 600Ω

 

Power

  • External Adapter Type +12 VDC, 1000 mA, center pin positive

 

Physical

  • Dimensions 1/3U rack-mount (with standard rack tray, not included)
  • Height 1.75” (44.45 mm)
  • Depth 5.5" (139.7 mm)
  • Width 5.5” (139.7 mm)
  • Weight 5 lbs (2.27 kg)
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Presonus AudioBox 22VSL Advanced 2X2 USB Recording System

$199.99 $249.99

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Advanced 2x2 USB 2.0 Recording System


The AudioBox 22VSL introduces a new generation of PreSonus USB 2.0 audio/MIDI interfaces that take hardware/software integration to the logical next step.
Using your computer CPU and PreSonus Virtual StudioLive (VSL) software, the AudioBox 22VSL interface provides a 4x2 mixer, reverb and delay effects, and the same Fat Channel compression, limiting, semi-parametric EQ, and high-pass filter, as the PreSonus StudioLive™ 16.0.2 digital mixer— all with inaudible latency.
Now you can monitor and record with or without real-time effects!

To top it off, while the classic PreSonus AudioBox USB is a fine-sounding unit, the new AudioBox VSL series sounds even better, with 24-bit, 96 kHz recording and top-of-the-line PreSonus XMAX™ preamps. We’ll have more to say about the preamps shortly.


What’s so great about effects and processing on monitors?
Tracking without hearing effects and signal processing is like playing a video game with your eyes closed. Musicians rely on aural cues when performing, and their performance can vary depending on what they hear in their monitors.
Adding just the right amount of compression, EQ, and reverb can make a huge difference in their ability to hear themselves clearly and to experience their performance as if it occurred in a natural space rather than in the artificial sonic environment of the studio. The result is a better performance and ultimately a better recording.


Features:

  • Input/Output
  • 2 dual-purpose front-panel input channels, each with:
  • Combo XLR mic and balanced ¼" instrument input
  • Class A XMAX™ mic / instrument preamp
  • Individual channel-trim controls with 0 to +35 dBu mic gain range
  • 2 balanced ¼” main (L/R) line outputs
  • 1 stereo ¼” headphone output with level control
  • MIDI In/Out
  • 1 USB 2.0 port

 

Meters, Controls, and Features

  • 48V phantom power for condenser microphones (global)
  • Mixer control (blends the input signal with the computer playback stream for zero-latency monitoring)
  • Main-output level control
  • Power/USB sync LED
  • LED clip indicator for each channel
  • Mix, adjust input and playback-returns levels, and add effects and signal processing from your laptop or other computer

 

Digitalia

  • 24-bit resolution and 44.1, 48, 88.2, and 96 kHz sampling rate
  • Professional-grade A/D/A converters (+114 dBu dynamic range)
  • Zero-latency analog monitoring with playback/input Mix control knob
  • Mac®- and Windows®-compatible, including Mac OS X 10.7 Lion and Windows 7
  • Supports ASIO, Core Audio, Direct Sound (Windows XP), Windows Audio Session API (Windows Vista and Windows 7)

 

Physical

  • 1/3U rack-mountable (screw-mount to standard rack tray, not included)
  • Road-rugged construction with all-metal chassis and metal knobs
  • Weighs just 1.6 lb. (0.7 kg)
  • Powered via USB bus—no wall wart!

 

Bundled Software

  • Virtual StudioLive™ (VSL) ultra-low-latency control and effects software for Mac® and Windows®; manages:
  • Near-zero-latency monitoring with extensive signal processing
  • 4x2 DSP mixer
  • StudioLive™16.0.2 Fat Channel compressor, limiter, expander, high-pass filter, and semi-parametric EQ for each analog input, and analog output and its DAW return
  • 2 stereo effects buses with reverb and delay
  • More than 50 Fat Channel DSP presets for enhancing instrument and vocal recordings

 

Studio One® Artist 2
PreSonus’ revolutionary digital audio workstation for Mac and Windows, with unlimited track count and 10+ GB of third-party resources. With Studio One's Nimbit® extension, you can immediately start selling your music.

 

Please note, this is a special order item. Allow 5-7 days.

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PreSonus AudioBox USB 2X2 USB Recording System

$99.99 $129.99

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AudioBox USB


If you are a mobile musician or podcaster on a tight budget who relies mostly on software except for a couple of mics or instruments, and your computer is equipped with USB but not FireWire, we have just the recording interface for you: the AudioBox USB.


This simple, handy little box connects to a computer via USB 1.1, so it works with virtually any PC or Mac, not just newer models. And it has just the right features for your basic recording needs—neither more nor less.


The AudioBox USB may be small and simple, but it boasts PreSonus quality inside and out. It offers excellent audio performance, thanks to two dual-purpose front-panel mic/instrument inputs with sweet-sounding Class A mic preamplifiers and professional-quality, 24-bit converters that sample at up to 48 kHz.

You get a pair of line-level outputs and an ultra-loud, crystal-clear headphone output. MIDI In and Out ports ensure that you can use control surfaces and keyboards without requiring a separate MIDI interface.


This is a mobile interface in the best sense of the term. It weighs just 5 pounds and can sit on a tabletop or can be mounted in 1/3 of a rackspace. It’s powered by the USB bus, so you don’t have to mess with a “wall wart” power supply or AC cord. And it’s built to withstand the rigors of travel.

So toss the AudioBox USB in your laptop bag and take it to your gig, to your hotel room, even to the beach (but be careful about sun and sand!). Wherever your travels take you, your AudioBox USB will be ready to perform.


Features:

  • 2 dual-purpose front-panel input channels, each with high-quality mic preamplifiers
  • 2 combo mic/instrument inputs
  • Individual channel-trim controls with 0 to +35 dBu mic gain range
  • 48V phantom power for condenser microphones
  • Mixer control (blends the input signal with the computer playback stream for zero-latency monitoring)
  • Headphone jack with level control
  • Main-output level control
  • LED clip indicator for each channel
  • Input/Output
  • 1 USB 1.1 port
  • 2 combo XLR/¼” mic/instrument inputs
  • 2 balanced ¼” main (L/R) line outputs
  • 1 stereo ¼” headphone output
  • MIDI in/out

 

Digitalia

  • 24-bit resolution and 44.1 and 48 kHz sampling rate
  • Professional-grade A/D/A converters (+102 dBu dynamic range)
  • Zero-latency monitoring via internal mixer
  • Mac®- and Windows®-compatible, including Mac OS X 10.7 Lion and Windows 7
  • Supports ASIO, Core Audio, Direct Sound (Windows XP), Windows Audio Session API (Windows Vista and Windows 7)


Physical

  • 1/3U rack-mountable (with optional 3UMR rack-mounting system)
  • Road-rugged construction with all-metal chassis and metal knobs
  • Weighs just 5 lbs/2.3 kg
  • Powered via USB bus—no wall wart!


Bundled Software

  • Studio One® Artist 2
  • PreSonus’ revolutionary new digital audio workstation, with unlimited track count and 6+ GB of 3rd-party resources. With Studio One's Nimbit® extension, you can immediately start selling your music.
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